Christopher Allen

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Christopher Allen

Christopher Allen

@Christopher_All

EIC @SmokeLong Quarterly | Other Household Toxins | The Best Small Fictions | Flash Fiction America (Norton, 2023) #flashfiction Opinions my own.

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Christopher Allen
Christopher Allen@Christopher_All·
When fascists here who voted for a self-proclaimed sexual predator and fraud want to have a pleasant discussion about politics. Nope. Fuck all the way off.
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SmokeLong Quarterly
SmokeLong Quarterly@SmokeLong·
More than 20 live online events this summer! And the SmokeLong peer-review workshop on steroids! AND you can bring a friend for no extra dollars! smokelong.com/a-smokelong-su…
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Aaron Rupar
Aaron Rupar@atrupar·
Sen. Ron Johnson: "Democrats want to turn America into a one party nation. They'll turn DC and Puerto Rico into states. They'll nationalize our elections -- automatic registration, mail in balloting. So we need to stop them."
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Mythic Picnic
Mythic Picnic@MythicPicnic·
Mythic Picnic@MythicPicnic

MASTHEAD v2 Mythic Micros from @GergleySteve @RelphJp @EricScotTryon @emilyrinkema @Christopher_All @moranpress @obaer @DelGeo14 @TommyDeanWriter @iaminfoian @gritvanwinkle & @AuthorJmcm Curated by @NathanBorn2010 / Nathan Pettigrew #MythicPicnicTweetStory === === We wanted to do a MASTHEAD series to celebrate the magazines and small presses — and the great people behind them — helping to create literature with little or no hope of compensation beyond the love of words and magazines and books. Because of them we’ve found new writers. And new friends. In this issue of MASTHEAD we have some of the people behind @scaffoldlitmag @TrashCatLit @flashfroglitmag @SmokeLong @moranpress Cthulhu Sex Magazine @rawlitmag @FracturedLit @uncharted_mag_ @fffict @CowboyJamboree & @frazzledlitmag — thank you all for what you do. === === Insomnia by Steve Gergley / @GergleySteve . For six-hundred days I couldn’t sleep, so I passed each night in my father’s armchair in the attic. There I listened to the rain clatter against the gambrel roof of the house. I watched the fuzzy dust motes tumble and twirl in the moonlight. I sunk into the slabs of soft leather and smelled the muddy musk of my sweat. Months later, on the hottest morning of the summer, as a glacier towered over the tops of the oaks and slowly carved a path through the cul-de-sac, I set up a camcorder on a tripod, returned to my father’s armchair, and beckoned my wife to the attic with a text. For the next year we sat sandwiched on the armchair together, grooming each other like cats, and watching the glacier through the tiny screen of the camcorder. Our clothes only survived six months. Our skin fused to the leather after eight. We invented a new language through touch and discovered staggering frontiers of bodily intimacy. I didn’t sleep. The glacier scratched closer to the house. The summer seemed to last forever. . Steve Gergley is the author of a bunch of books and a lot of weird writings of an indeterminate nature. His most recent book, There Are Some Floors Missing, was published by Bullshit Lit on February 20th, 2026. His fiction can be found at: stevegergleyauthor . wordpress . com. He's also the editor of scaffold literary magazine / @scaffoldlitmag === === My Daddy Became a Demonologist After Seeing Jesus in a Coffee Stain on His First Sobriety Chip by JP Relph / @RelphJp . He said it was God’s call. Started collecting fusty, leatherbound books with tanned pages. Learned to speak Latin. Hunkered in the den; reading, reciting. He didn’t have a bottle, didn’t stink up the place like a cheap bar – yet he still missed meals and baths, stayed up ‘til dawn. Little changed for us but blocking out rants in a foreign tongue. Daddy built an exorcist’s kit in a thrift store briefcase, wore black, collected water from churchyard puddles. He took me on his Godfearing missions: folks revered a small pigtailed child, whispering emphatically over a coiled rosary, didn’t question the veracity of the service Daddy purported to provide. We attended mansions, brownstones, farmhouses, trailer parks. Daddy said the devil’s acolytes disregarded status, sought weakness anywhere. Everywhere. With each exorcism, he become stubbled and strained in washed-grey, his voice growing heavy as rain-soaked earth, eyes dulling. I never believed anyone was possessed by anything unholy. Nobody burned when the puddle water splashed them. Folks growled, spat, vomited, cursed, but I only saw anguish. Desperation. For someone to see their pain. Hold their hand, kiss their forehead. Still, Daddy sent their demons somewhere. Left them weeping, hugging, promising change. Even as his own clawed him apart. Even as God let it. A cold, clear evil ever sloshed, bedeviled from liquor store doorways. Daddy never got the second chip. He emptied himself with his thirty-eight, spilling infernal red into the bathtub. The case was heavy at first, the Latin tongue-twisting. I don’t see God anywhere – not in mansions or trailers in weed-filled lots. I do see Daddy. In every washed-grey face, every dulled eye. I scream at demons with a little girl’s rage, fighting one that tears at my heart – because I saw, but didn’t how to exorcise. . JP Relph is a writer from Northwest England and editor of Trash Cat Lit (@TrashCatLit), a magazine dedicated to short fiction. She is hindered in all things by two cats and a thrifting addiction. Tea helps, milk first. JP has three short fiction collections and a co-authored novella in the wild. Her stories have been on the Wigleaf longlist and recommended in Ellen Datlow's Best Horror list. Best not to ask about The Novel, her eyes will roll right out her head. === === What I Want to Tell You the First Time You Mention Divorce in Front of Our Children by Eric Scot Tryon / @EricScotTryon . Tell me what you know about dismemberment. The tearing apart. The pull until something gives. Ligaments like piano wire. Tendons like the first memory of your father. Things that snap and break. And once detached there is no mending. No coming back together. Not like how clouds pull apart like taffy then reunite with shifting winds. Not like how water poured into water is water. The permanence of dismemberment doesn’t leave scars, it leaves large gaping cavities. Sink holes that swallow trees and houses and people like after-dinner mints. It is so much more than the mere separation of flesh. . Eric Scot Tryon is the Editor-in-Chief of Flash Frog (@flashfroglitmag). His debut novel I’m the Undertow drops this May. === === The Great Butter Baby Championship by Emily Rinkema / @emilyrinkema . She sits in a room full of women turning blocks of butter into babies. She works carefully, molding, dipping, kneading, wrapping until there is a baby-ish shape; cutting, squeezing, pinching, pressing until there is one fat little thigh, and then another; scraping, cupping, pushing, adding until the soft shoulders dip just right and the chin rests, barely, on the chest; brushing, smoothing, tweezing, etching until the tiny nose tips up at the end and the eyelashes separate into impossibly pale hairs. And then she loses, just like they said she would. Like they had told her from the start, like she had so many times before. They say stop crying, it’s okay, there’s always next year. They say, it just isn’t your time. She says, yeah, no, it’s fine, don’t worry, I’m fine, really, I’m fine, and she leaves her butter baby on the table like they tell her to. She climbs the stairs of the cold basement, so tired, counting each step, each one a foot taller than the one before until she’s crawling over the last step, pulling herself over the edge into the heat, way too hot for a butter baby, and I’m fine, fine, she says, leave me alone, she says to someone, maybe them, as she crawls across the parking lot, butter on her palms, under her fingernails, on her breasts where she had wiped her hands. . Emily Rinkema lives in Vermont. She is the assistant editor at Flash Frog (@flashfroglitmag), and her stories have been selected for Wigleaf Top 50, Best Small Fictions, and Best American Nonrequired. === === Falling Man by Christopher Allen / @Christopher_All . In the voice of your husband looking down from the cliff: I could have saved you if we’d both had Velcro hands. In the voice of James Earl Jones: If only you’d been a different man on a different path with a different husband. In the voice of a thousand crickets slowed and remixed to sound like a Lutheran choir lulling you, just one more falling man, into a delusive sense of drifting: Impact’s just a bump at the end of a light and lengthy phrase. In the voice of the countless stars: A Gemini and a Leo? Did you really think he’d save you? You should have married an Aries. In the voice of your stocky physics professor raging at the sky: An 18-wheeler passing the hospital during this man’s birth pulled more on him than any of you ever did! In the voice of Sally Field playing Sybil playing Sid: Everyone has their cliff to fall from, everyone their rock below. In the voice of a Veteran’s Day parade reechoing the angry cries of your father: If I’d known you were on that cliff, I’d have rushed there to unweight the world. In the voice of your mother cramming the wrong breast into your mouth, in the voice of Reason, in the voice of a doctor’s stinging hand, in the voice of ambiguity, in the voice of dynamite, in the voice of Ah-hah! In your own stilly words, even if you’ve found them a second too late: I’m sorry, Father, that I didn’t call. But you couldn’t have wrested me from this world. . Christopher Allen is the author of the flash collection Other Household Toxins and the satire Conversations with S. Teri O'Type. Allen, a nomad, is the owner and editor-in-chief of SmokeLong Quarterly / @SmokeLong === === DARKNESS by Stephen Moran / @moranpress . George woke later than usual, the morning sun pouring through the windows into his eyes. Rolling off the bed, he hurriedly pulled on pants before walking on stiff legs into the living room. He began his morning routine with practiced movements, one hand clutching the television remote, the other running water for coffee. George made breakfast as a newsman intoned reports of a looming global war. America declares war on Iran and several former allies… but George was no longer listening and clicked off the television, his attention drawn to the windows overlooking the street. Moving closer for a better view, his mouth dropped open, the sky was filled with fluttering black objects. Opening the front door, he bound down the steps and saw piles of black rose petals. He picked one off the ground, feeling the softness against his palm as he traced a finger over it. The neighbors stood chatting on porches and pedestrians walked unconcerned on the sidewalks, not one of whom gave a sign of noticing the phenomenon. At a café across the street, a man stood in a doorway smoking a pipe. “Do you not see the rose petals?” George asked the man. “I don’t know what you’re talking about. You’re crazy.” Dark ominous clouds suddenly filled the sky, petals falling in greater numbers and intensity. George watched the man with pipe pointing at the sky, finally aware something important was happening, his cries bringing several café employees onto the sidewalk. George lifted a hand above his head to shield himself, the pile of rose petals at his feet growing, the light of early afternoon a faded memory. A great darkness descended from the heavens, covering the entire sky with terrible speed. He heard, first singular and then with greater frequency, screams piercing the air, moments before a blinding flash of light and deafening roar shattered the horizon. . Stephen Moran is an author, publisher, and bookbinder. === === DARK TOUCH by Oliver Baer / @obaer . I was called to a sight today that gave me pause. A pause that sends chills up one’s spines (not sure why I believe I once had multiple spines) and makes one wish for another line of work. There was a report of a disturbance at the corner of Houston Street and 2nd Avenue. As I approached the site, there was a large explosion followed by an unearthly scream and a loud thump as something hit my windshield. It was a head. I cursed, hit the brakes and called for backup. Upon arriving on the scene, I saw only rubble and among it pieces of what I thought were twisted metal. I tried to question people in the area as to the source of the explosion. No one seemed to know as they saw no one go into the structure and no one come out. As I started to pick my way through the rubble, I saw that what I thought were pieces of twisted metal were not metal at all. They were pieces of human beings shaped into supporting structures and strengthened in much the same way as carbonized steel. There was a shift in the rubble near me and a shadow stretched forth towards me. As it touched me, I felt a clamminess and a fell whispering in my mind. I jerked myself away and stumbled over the rubble towards my car as fast as I could. I cannot tell you what horrors it related to me in that moment. But I swear it is still around looking for a way to make itself whole. Looking for something that will complete it. Looking for a place that it can hole up until it can enact its terrible revenge. Perhaps I should warn my informant his fears are true. . Oliver Baer was the editor for Cthulhu Sex Magazine and Two Backed Books. Now, he edits roleplaying game manuals for gaming companies. He writes dark poetry and horror stories. He has two books out, Letters to the Editor of Cthulhu Sex Magazine and Baer Soul. His website: https:// tentacularity . wordpress . com === === Ava’s Nine Lives by Delphine Gauthier-Georgakopoulos / @DelGeo14 . She lost the first to the umbilical cord wrapped around her neck as she turned blue and voiceless and no amount of butt-slapping could have saved her had the doctor not reacted fast enough and cut off the snake strangling her. She lost the second to a pond. A stupid pond that turned out to be deeper than her toddler’s brain. Her screams drowned underwater until a stranger’s hand reached for her sleeve and pulled her out. She lost the third being young and finally free to be loud and happy and an idiot. She lost the fourth to faulty brakes, tired tires, and Sahara sand covering a muddy-rained on road. She screamed when she regained control just short of hitting the pavement and a couple of passers-by. She lost the fifth during her third surgery that almost went wrong but then didn’t and she’d signed all the waivers and her waking up might have been a dream or might not and she had no idea so she chose to forget the whole thing. She lost the sixth to bacteria. And she will never forget how much mayhem those tiny non-creatures created, or the silent pain that made her groan. She lost the seventh somewhere along with her heart, when her ‘broken’ got so hurtful she started eating and drinking her feelings to keep them quiet. She lost the eighth to polyps invading her insides and throwing a bloody party all around. She got to take a look at them once they were out, and swore never to eat chicken liver again—just the thought makes her gag. She gets worried about the ninth, so she quits smoking, coffee, binging, and starts exercising. But while she squats and pushes up, she hears her grandmother’s clock ticking and knows no amount of ‘healthy’ will stop it from chirping. Cuckoo. . Delphine Gauthier-Georgakopoulos is the founder & EIC of Raw Lit @rawlitmag & co-founder of The Pride Roars @PrideRoars94731. Her debut historical novel, Laundry Day, was a Novel Fair runner-up. She lives in Athens, Greece. https:// delphinegg . weebly . com/ === === In High Places, We Tremble by Tommy Dean / @TommyDeanWriter . Repairing the roof was a nightmare. Each piece of shingling a cost he couldn’t compute. His wife suggested he do it by himself. How hard could it be? He had never told her about his fear of heights, of being dangled off a hotel balcony, his feet kicking in the air. He owed money, gambling as a teenager and as a man. Their finances in ruins. He ordered the shingles. A ladder. A nail gun. All on credit. She left for the weekend. A trip to her parents. Leaving him with the ghosts of his mistakes. On the roof, shadowed. . Tommy Dean Literary Agent, Rosecliff Literary EIC, Fractured Lit & Uncharted / @FracturedLit / @uncharted_mag_ === === Regime Change by Ryan Deysher . The first mayor of the village had no head, limbs, or body. It was just a pile of hair. The village was peaceful and prosperous during the pile of hair’s reign, so the mayor was considered judicious. This all changed on a night many years ago. A swift wind blew from the mountainside and shifted the pile of hair slightly off-kilter, thus creating a new hairstyle. Almost immediately, the village’s luck turned. At the very least, the villagers noticed a vague sense of cultural erosion, alongside a feeling of unease. The villagers spoke privately in hushed tones about their struggles. They came to the conclusion that their woes were the result of a tyrannical turn the pile of hair had recently taken, coinciding with the swift wind that blew its follicles slightly askew. A new era of unrest had begun. One day, in the throes of the village’s unrestful period, a farmer’s pig escaped from its pen. For days, the pig wantonly rooted around the village, symbolic of the chaos. Eventually, the pig made its way to the residence of the mayor. The animal promptly gobbled up the pile of hair, in an event remembered for its violence. It was a revolution—a time of great change. The villagers were overjoyed at the demise of the dictatorial mayor, but were at a loss with what to do with the pig and the farmer that owned him. The laws of the village dictated that the murder of the mayor was the highest possible treason. It was an unprecedented case—one that required the guidance of experts. As such, the villagers brought the case to the Hall of Adjudicators, located atop the same mountain where the dark wind that had blown the mayor to evil originated. The Adjudicators were locked in deliberation for what seemed like an eon. Eventually, they descended the mountain to give their orders. It was determined that the pig would be given leniency, on account of the mayor’s unwitting evil. In a sense, the pig’s act was one of heroism, made all the more heroic by the fact that the pig was completely unaware of itself. One of the two cardinal truths as laid out by the Adjudicators was that the truest form of heroism is unwitting heroism. The caveat was that the pig’s owner had to be executed. His pig’s escape was a minor mistake and ultimately beneficial, but was brought on by unwittingness. The second of the two cardinals truths as laid out by the Adjudicators was that the truest form of evil is unwitting evil. This marked the end of the period of unrest. The villagers were satisfied with the clean conclusion of the case. The pig was elected mayor. It ruled peacefully for years, until a sudden cascade of water descended the mountainside, drowning the village. In an instant, the whole of history was erased. Years later, a new village was erected atop the remnants of the old village. The story about the pig developed alongside the new village, until the tale became a local legend. If asked, the villagers will recite it by heart with poetic gusto. It is quite the cultural experience. However, I implore you to leave it at that. Don’t you dare ask the locals for the meaning of the pig story. They don’t know and they don’t want to know. Neither do I. And why would you? Previously published in Free Flash Fiction / @fffict Selected and edited by Ian Rushton of Free Flash Fiction / @iaminfoian . Ryan Deysher is a writer living in Wilmington, DE. His work can be found in Beaver Magazine, Misery Tourism, and The Oakland Arts Review. @ hollywood . deysh === === Hobo Postcard by Adam Van Winkle / @gritvanwinkle . Seasick Steve loves Boxcar Bertha, but Boxcar Bertha loves Mississippi Bones and his caboose. They all love Joe Hill and his hardknocks. None know Utah Phillips but got all his problems and passions. No one seen where Woody went. Round the yard ain’t none of ‘em will batter, buzz, bum, cage, mooch, pan, panhandle, sell pencils, or touch hearts. Most just lookin’ to twist a dream at the end of something that looks like a work day. Some may head to the peanut farm, the pogey, but then that ain’t trampin’, ramblin’, vagabondin’ or wanderin’. You need train smoke and sweat with your cigarette and a bindle to tramp. Dinner gets cooked in a banjo and then comes the bull rush. Bulls from the Dope. Bulls from Foul Water & Dirty Cars. Bulls from the Horned Toad. Bulls from The Bum’s Own. Bulls bustin’ freeriders with All Tramps Sent Free. Bulls with buzzers from the buzzard’s roost. Bulls bust even mud chickens with yard jobs. Bulls bust even Mr. Block, no matter how good he thinks he is. Bulls got saps. Bulls is dicks and pussyfooters. Mushfakers. Jackrollers. Hashers. Lakers. Organ Grinders. Mop Marys. Jacks and Molls all. All on the hog. All on the hummer. No, no, not yet. A hobo’s work is never done. . Adam Van Winkle was born and raised in Texoma and named for the oldest Cartwright son on Bonanza. He now lives with his wife and two sons in South Carolina. He is the founder and editor of Cowboy Jamboree Press and Magazine / @CowboyJamboree In addition to publishing his fiction, poetry and creative nonfiction online and in print at places like Revolution John, Pithead Chapel, Cheap Pop!, BULL, The Dead Mule School of Southern Literature, Roi Faineant, and Red Dirt Forum, he has published several novels and plays with Red Dirt Press, Cowboy Jamboree Press, and LEFTOVER Books. His most recent book, Count the Dust, a radio play novel, was published by LEFTOVER in December 2025. === === The Greatest Short Story Ever Written by Jennifer McMahon / @AuthorJmcm / @frazzledlitmag . The greatest short story ever written was squeezed from the fertile imagination of Private Simon Durant, US Army Rangers, in Germany in late December 1944. He wrote it with a blunt pencil, in the tiniest of writing, on the cardboard of a torn-open pack of cigarettes, before bedding down for the night with his platoon in the ruins of a church. The next morning, in a brief skirmish with a crack Waffen SS unit, Private Durant was killed by a stray enemy bullet that struck him in the heart, passing through the breast pocket of his tunic, wherein he had placed the story. His blood obliterated all but the closing paragraph: ‘As the bullet cut through flesh and bone, as it shredded Dawson’s aorta, his final thought, in the very brief moment before he expired, was not of his fiancé back home in Maryland who’d prayed for his safe return. He thought only of the greatest short story ever written, and how no one would ever get to read it.’ Years later, the blood-stained slip of cardboard was sold at auction in Baltimore for one hundred thousand dollars, to a wealthy stockbroker named John Reynolds. Stopping at a liquor store to buy a celebratory bottle of champagne, John was shot in the chest by a stray bullet, a bystander in a robbery of the store. John’s final thoughts, in the moment before he expired, were not of his wife and two small children. He thought only of the greatest short story ever written, and how he would never get the opportunity to decipher its true meaning. The young man arrested and charged at the scene had this to say: ‘Bullets don’t discriminate. Sometimes you find them, and sometimes they find you. All that really matters, when the smoke clears away, is that your story is over and no one’s ever going to hear it.’ It might have given Reynolds some comfort had he known that these were precisely the words Private Durant had used in the opening lines of the greatest short story ever written. . Jennifer McMahon won the 2024 AIS Creative Writing Award, the Irish Writers Centre Novel Fair in 2023, has been shortlisted for Short Story of the Year at the Irish Book Awards (2023), the Bridport Short Story Prize and many other notable awards. She was also a second-place winner of the Oxford Prize (winter 2023), and was twice longlisted for the Bath Short Story Award. Her work appears in Crannog (2023 and 2025), HOWL, The Irish Independent, The Galway Review, and many other places. === end ===

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Gianl1974
Gianl1974@Gianl1974·
What do you think??
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Christopher Allen
Christopher Allen@Christopher_All·
@RpsAgainstTrump Because the current administration is amoral, led by a sociopath who plants unqualified sycophants who will do whatever he says. This is a very clear coup. Trump has been paid to destroy our country.
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Republicans against Trump
Republicans against Trump@RpsAgainstTrump·
Speaker Mike Johnson backs Donald Trump, attacking the Pope: “Any religious leader can say anything they want, but obviously, if you wade into political waters, I think you should expect some political response”
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Cowboy Jamboree Press
Cowboy Jamboree Press@CowboyJamboree·
It is with the heaviest of hearts that Cowboy Jamboree has learned of the passing of Sheldon Lee Compton last night. We know how many of you knew him & loved his work. He was a talent like no other. We're heartbroken for Sheldon and his kin. He was a giant. He will be missed.
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Mythic Picnic
Mythic Picnic@MythicPicnic·
Mythic Picnic@MythicPicnic

MASTHEAD v2 Mythic Micros from @GergleySteve @RelphJp @EricScotTryon @emilyrinkema @Christopher_All @moranpress @obaer @DelGeo14 @TommyDeanWriter @iaminfoian @gritvanwinkle & @AuthorJmcm Curated by @NathanBorn2010 / Nathan Pettigrew #MythicPicnicTweetStory === === We wanted to do a MASTHEAD series to celebrate the magazines and small presses — and the great people behind them — helping to create literature with little or no hope of compensation beyond the love of words and magazines and books. Because of them we’ve found new writers. And new friends. In this issue of MASTHEAD we have some of the people behind @scaffoldlitmag @TrashCatLit @flashfroglitmag @SmokeLong @moranpress Cthulhu Sex Magazine @rawlitmag @FracturedLit @uncharted_mag_ @fffict @CowboyJamboree & @frazzledlitmag — thank you all for what you do. === === Insomnia by Steve Gergley / @GergleySteve . For six-hundred days I couldn’t sleep, so I passed each night in my father’s armchair in the attic. There I listened to the rain clatter against the gambrel roof of the house. I watched the fuzzy dust motes tumble and twirl in the moonlight. I sunk into the slabs of soft leather and smelled the muddy musk of my sweat. Months later, on the hottest morning of the summer, as a glacier towered over the tops of the oaks and slowly carved a path through the cul-de-sac, I set up a camcorder on a tripod, returned to my father’s armchair, and beckoned my wife to the attic with a text. For the next year we sat sandwiched on the armchair together, grooming each other like cats, and watching the glacier through the tiny screen of the camcorder. Our clothes only survived six months. Our skin fused to the leather after eight. We invented a new language through touch and discovered staggering frontiers of bodily intimacy. I didn’t sleep. The glacier scratched closer to the house. The summer seemed to last forever. . Steve Gergley is the author of a bunch of books and a lot of weird writings of an indeterminate nature. His most recent book, There Are Some Floors Missing, was published by Bullshit Lit on February 20th, 2026. His fiction can be found at: stevegergleyauthor . wordpress . com. He's also the editor of scaffold literary magazine / @scaffoldlitmag === === My Daddy Became a Demonologist After Seeing Jesus in a Coffee Stain on His First Sobriety Chip by JP Relph / @RelphJp . He said it was God’s call. Started collecting fusty, leatherbound books with tanned pages. Learned to speak Latin. Hunkered in the den; reading, reciting. He didn’t have a bottle, didn’t stink up the place like a cheap bar – yet he still missed meals and baths, stayed up ‘til dawn. Little changed for us but blocking out rants in a foreign tongue. Daddy built an exorcist’s kit in a thrift store briefcase, wore black, collected water from churchyard puddles. He took me on his Godfearing missions: folks revered a small pigtailed child, whispering emphatically over a coiled rosary, didn’t question the veracity of the service Daddy purported to provide. We attended mansions, brownstones, farmhouses, trailer parks. Daddy said the devil’s acolytes disregarded status, sought weakness anywhere. Everywhere. With each exorcism, he become stubbled and strained in washed-grey, his voice growing heavy as rain-soaked earth, eyes dulling. I never believed anyone was possessed by anything unholy. Nobody burned when the puddle water splashed them. Folks growled, spat, vomited, cursed, but I only saw anguish. Desperation. For someone to see their pain. Hold their hand, kiss their forehead. Still, Daddy sent their demons somewhere. Left them weeping, hugging, promising change. Even as his own clawed him apart. Even as God let it. A cold, clear evil ever sloshed, bedeviled from liquor store doorways. Daddy never got the second chip. He emptied himself with his thirty-eight, spilling infernal red into the bathtub. The case was heavy at first, the Latin tongue-twisting. I don’t see God anywhere – not in mansions or trailers in weed-filled lots. I do see Daddy. In every washed-grey face, every dulled eye. I scream at demons with a little girl’s rage, fighting one that tears at my heart – because I saw, but didn’t how to exorcise. . JP Relph is a writer from Northwest England and editor of Trash Cat Lit (@TrashCatLit), a magazine dedicated to short fiction. She is hindered in all things by two cats and a thrifting addiction. Tea helps, milk first. JP has three short fiction collections and a co-authored novella in the wild. Her stories have been on the Wigleaf longlist and recommended in Ellen Datlow's Best Horror list. Best not to ask about The Novel, her eyes will roll right out her head. === === What I Want to Tell You the First Time You Mention Divorce in Front of Our Children by Eric Scot Tryon / @EricScotTryon . Tell me what you know about dismemberment. The tearing apart. The pull until something gives. Ligaments like piano wire. Tendons like the first memory of your father. Things that snap and break. And once detached there is no mending. No coming back together. Not like how clouds pull apart like taffy then reunite with shifting winds. Not like how water poured into water is water. The permanence of dismemberment doesn’t leave scars, it leaves large gaping cavities. Sink holes that swallow trees and houses and people like after-dinner mints. It is so much more than the mere separation of flesh. . Eric Scot Tryon is the Editor-in-Chief of Flash Frog (@flashfroglitmag). His debut novel I’m the Undertow drops this May. === === The Great Butter Baby Championship by Emily Rinkema / @emilyrinkema . She sits in a room full of women turning blocks of butter into babies. She works carefully, molding, dipping, kneading, wrapping until there is a baby-ish shape; cutting, squeezing, pinching, pressing until there is one fat little thigh, and then another; scraping, cupping, pushing, adding until the soft shoulders dip just right and the chin rests, barely, on the chest; brushing, smoothing, tweezing, etching until the tiny nose tips up at the end and the eyelashes separate into impossibly pale hairs. And then she loses, just like they said she would. Like they had told her from the start, like she had so many times before. They say stop crying, it’s okay, there’s always next year. They say, it just isn’t your time. She says, yeah, no, it’s fine, don’t worry, I’m fine, really, I’m fine, and she leaves her butter baby on the table like they tell her to. She climbs the stairs of the cold basement, so tired, counting each step, each one a foot taller than the one before until she’s crawling over the last step, pulling herself over the edge into the heat, way too hot for a butter baby, and I’m fine, fine, she says, leave me alone, she says to someone, maybe them, as she crawls across the parking lot, butter on her palms, under her fingernails, on her breasts where she had wiped her hands. . Emily Rinkema lives in Vermont. She is the assistant editor at Flash Frog (@flashfroglitmag), and her stories have been selected for Wigleaf Top 50, Best Small Fictions, and Best American Nonrequired. === === Falling Man by Christopher Allen / @Christopher_All . In the voice of your husband looking down from the cliff: I could have saved you if we’d both had Velcro hands. In the voice of James Earl Jones: If only you’d been a different man on a different path with a different husband. In the voice of a thousand crickets slowed and remixed to sound like a Lutheran choir lulling you, just one more falling man, into a delusive sense of drifting: Impact’s just a bump at the end of a light and lengthy phrase. In the voice of the countless stars: A Gemini and a Leo? Did you really think he’d save you? You should have married an Aries. In the voice of your stocky physics professor raging at the sky: An 18-wheeler passing the hospital during this man’s birth pulled more on him than any of you ever did! In the voice of Sally Field playing Sybil playing Sid: Everyone has their cliff to fall from, everyone their rock below. In the voice of a Veteran’s Day parade reechoing the angry cries of your father: If I’d known you were on that cliff, I’d have rushed there to unweight the world. In the voice of your mother cramming the wrong breast into your mouth, in the voice of Reason, in the voice of a doctor’s stinging hand, in the voice of ambiguity, in the voice of dynamite, in the voice of Ah-hah! In your own stilly words, even if you’ve found them a second too late: I’m sorry, Father, that I didn’t call. But you couldn’t have wrested me from this world. . Christopher Allen is the author of the flash collection Other Household Toxins and the satire Conversations with S. Teri O'Type. Allen, a nomad, is the owner and editor-in-chief of SmokeLong Quarterly / @SmokeLong === === DARKNESS by Stephen Moran / @moranpress . George woke later than usual, the morning sun pouring through the windows into his eyes. Rolling off the bed, he hurriedly pulled on pants before walking on stiff legs into the living room. He began his morning routine with practiced movements, one hand clutching the television remote, the other running water for coffee. George made breakfast as a newsman intoned reports of a looming global war. America declares war on Iran and several former allies… but George was no longer listening and clicked off the television, his attention drawn to the windows overlooking the street. Moving closer for a better view, his mouth dropped open, the sky was filled with fluttering black objects. Opening the front door, he bound down the steps and saw piles of black rose petals. He picked one off the ground, feeling the softness against his palm as he traced a finger over it. The neighbors stood chatting on porches and pedestrians walked unconcerned on the sidewalks, not one of whom gave a sign of noticing the phenomenon. At a café across the street, a man stood in a doorway smoking a pipe. “Do you not see the rose petals?” George asked the man. “I don’t know what you’re talking about. You’re crazy.” Dark ominous clouds suddenly filled the sky, petals falling in greater numbers and intensity. George watched the man with pipe pointing at the sky, finally aware something important was happening, his cries bringing several café employees onto the sidewalk. George lifted a hand above his head to shield himself, the pile of rose petals at his feet growing, the light of early afternoon a faded memory. A great darkness descended from the heavens, covering the entire sky with terrible speed. He heard, first singular and then with greater frequency, screams piercing the air, moments before a blinding flash of light and deafening roar shattered the horizon. . Stephen Moran is an author, publisher, and bookbinder. === === DARK TOUCH by Oliver Baer / @obaer . I was called to a sight today that gave me pause. A pause that sends chills up one’s spines (not sure why I believe I once had multiple spines) and makes one wish for another line of work. There was a report of a disturbance at the corner of Houston Street and 2nd Avenue. As I approached the site, there was a large explosion followed by an unearthly scream and a loud thump as something hit my windshield. It was a head. I cursed, hit the brakes and called for backup. Upon arriving on the scene, I saw only rubble and among it pieces of what I thought were twisted metal. I tried to question people in the area as to the source of the explosion. No one seemed to know as they saw no one go into the structure and no one come out. As I started to pick my way through the rubble, I saw that what I thought were pieces of twisted metal were not metal at all. They were pieces of human beings shaped into supporting structures and strengthened in much the same way as carbonized steel. There was a shift in the rubble near me and a shadow stretched forth towards me. As it touched me, I felt a clamminess and a fell whispering in my mind. I jerked myself away and stumbled over the rubble towards my car as fast as I could. I cannot tell you what horrors it related to me in that moment. But I swear it is still around looking for a way to make itself whole. Looking for something that will complete it. Looking for a place that it can hole up until it can enact its terrible revenge. Perhaps I should warn my informant his fears are true. . Oliver Baer was the editor for Cthulhu Sex Magazine and Two Backed Books. Now, he edits roleplaying game manuals for gaming companies. He writes dark poetry and horror stories. He has two books out, Letters to the Editor of Cthulhu Sex Magazine and Baer Soul. His website: https:// tentacularity . wordpress . com === === Ava’s Nine Lives by Delphine Gauthier-Georgakopoulos / @DelGeo14 . She lost the first to the umbilical cord wrapped around her neck as she turned blue and voiceless and no amount of butt-slapping could have saved her had the doctor not reacted fast enough and cut off the snake strangling her. She lost the second to a pond. A stupid pond that turned out to be deeper than her toddler’s brain. Her screams drowned underwater until a stranger’s hand reached for her sleeve and pulled her out. She lost the third being young and finally free to be loud and happy and an idiot. She lost the fourth to faulty brakes, tired tires, and Sahara sand covering a muddy-rained on road. She screamed when she regained control just short of hitting the pavement and a couple of passers-by. She lost the fifth during her third surgery that almost went wrong but then didn’t and she’d signed all the waivers and her waking up might have been a dream or might not and she had no idea so she chose to forget the whole thing. She lost the sixth to bacteria. And she will never forget how much mayhem those tiny non-creatures created, or the silent pain that made her groan. She lost the seventh somewhere along with her heart, when her ‘broken’ got so hurtful she started eating and drinking her feelings to keep them quiet. She lost the eighth to polyps invading her insides and throwing a bloody party all around. She got to take a look at them once they were out, and swore never to eat chicken liver again—just the thought makes her gag. She gets worried about the ninth, so she quits smoking, coffee, binging, and starts exercising. But while she squats and pushes up, she hears her grandmother’s clock ticking and knows no amount of ‘healthy’ will stop it from chirping. Cuckoo. . Delphine Gauthier-Georgakopoulos is the founder & EIC of Raw Lit @rawlitmag & co-founder of The Pride Roars @PrideRoars94731. Her debut historical novel, Laundry Day, was a Novel Fair runner-up. She lives in Athens, Greece. https:// delphinegg . weebly . com/ === === In High Places, We Tremble by Tommy Dean / @TommyDeanWriter . Repairing the roof was a nightmare. Each piece of shingling a cost he couldn’t compute. His wife suggested he do it by himself. How hard could it be? He had never told her about his fear of heights, of being dangled off a hotel balcony, his feet kicking in the air. He owed money, gambling as a teenager and as a man. Their finances in ruins. He ordered the shingles. A ladder. A nail gun. All on credit. She left for the weekend. A trip to her parents. Leaving him with the ghosts of his mistakes. On the roof, shadowed. . Tommy Dean Literary Agent, Rosecliff Literary EIC, Fractured Lit & Uncharted / @FracturedLit / @uncharted_mag_ === === Regime Change by Ryan Deysher . The first mayor of the village had no head, limbs, or body. It was just a pile of hair. The village was peaceful and prosperous during the pile of hair’s reign, so the mayor was considered judicious. This all changed on a night many years ago. A swift wind blew from the mountainside and shifted the pile of hair slightly off-kilter, thus creating a new hairstyle. Almost immediately, the village’s luck turned. At the very least, the villagers noticed a vague sense of cultural erosion, alongside a feeling of unease. The villagers spoke privately in hushed tones about their struggles. They came to the conclusion that their woes were the result of a tyrannical turn the pile of hair had recently taken, coinciding with the swift wind that blew its follicles slightly askew. A new era of unrest had begun. One day, in the throes of the village’s unrestful period, a farmer’s pig escaped from its pen. For days, the pig wantonly rooted around the village, symbolic of the chaos. Eventually, the pig made its way to the residence of the mayor. The animal promptly gobbled up the pile of hair, in an event remembered for its violence. It was a revolution—a time of great change. The villagers were overjoyed at the demise of the dictatorial mayor, but were at a loss with what to do with the pig and the farmer that owned him. The laws of the village dictated that the murder of the mayor was the highest possible treason. It was an unprecedented case—one that required the guidance of experts. As such, the villagers brought the case to the Hall of Adjudicators, located atop the same mountain where the dark wind that had blown the mayor to evil originated. The Adjudicators were locked in deliberation for what seemed like an eon. Eventually, they descended the mountain to give their orders. It was determined that the pig would be given leniency, on account of the mayor’s unwitting evil. In a sense, the pig’s act was one of heroism, made all the more heroic by the fact that the pig was completely unaware of itself. One of the two cardinal truths as laid out by the Adjudicators was that the truest form of heroism is unwitting heroism. The caveat was that the pig’s owner had to be executed. His pig’s escape was a minor mistake and ultimately beneficial, but was brought on by unwittingness. The second of the two cardinals truths as laid out by the Adjudicators was that the truest form of evil is unwitting evil. This marked the end of the period of unrest. The villagers were satisfied with the clean conclusion of the case. The pig was elected mayor. It ruled peacefully for years, until a sudden cascade of water descended the mountainside, drowning the village. In an instant, the whole of history was erased. Years later, a new village was erected atop the remnants of the old village. The story about the pig developed alongside the new village, until the tale became a local legend. If asked, the villagers will recite it by heart with poetic gusto. It is quite the cultural experience. However, I implore you to leave it at that. Don’t you dare ask the locals for the meaning of the pig story. They don’t know and they don’t want to know. Neither do I. And why would you? Previously published in Free Flash Fiction / @fffict Selected and edited by Ian Rushton of Free Flash Fiction / @iaminfoian . Ryan Deysher is a writer living in Wilmington, DE. His work can be found in Beaver Magazine, Misery Tourism, and The Oakland Arts Review. @ hollywood . deysh === === Hobo Postcard by Adam Van Winkle / @gritvanwinkle . Seasick Steve loves Boxcar Bertha, but Boxcar Bertha loves Mississippi Bones and his caboose. They all love Joe Hill and his hardknocks. None know Utah Phillips but got all his problems and passions. No one seen where Woody went. Round the yard ain’t none of ‘em will batter, buzz, bum, cage, mooch, pan, panhandle, sell pencils, or touch hearts. Most just lookin’ to twist a dream at the end of something that looks like a work day. Some may head to the peanut farm, the pogey, but then that ain’t trampin’, ramblin’, vagabondin’ or wanderin’. You need train smoke and sweat with your cigarette and a bindle to tramp. Dinner gets cooked in a banjo and then comes the bull rush. Bulls from the Dope. Bulls from Foul Water & Dirty Cars. Bulls from the Horned Toad. Bulls from The Bum’s Own. Bulls bustin’ freeriders with All Tramps Sent Free. Bulls with buzzers from the buzzard’s roost. Bulls bust even mud chickens with yard jobs. Bulls bust even Mr. Block, no matter how good he thinks he is. Bulls got saps. Bulls is dicks and pussyfooters. Mushfakers. Jackrollers. Hashers. Lakers. Organ Grinders. Mop Marys. Jacks and Molls all. All on the hog. All on the hummer. No, no, not yet. A hobo’s work is never done. . Adam Van Winkle was born and raised in Texoma and named for the oldest Cartwright son on Bonanza. He now lives with his wife and two sons in South Carolina. He is the founder and editor of Cowboy Jamboree Press and Magazine / @CowboyJamboree In addition to publishing his fiction, poetry and creative nonfiction online and in print at places like Revolution John, Pithead Chapel, Cheap Pop!, BULL, The Dead Mule School of Southern Literature, Roi Faineant, and Red Dirt Forum, he has published several novels and plays with Red Dirt Press, Cowboy Jamboree Press, and LEFTOVER Books. His most recent book, Count the Dust, a radio play novel, was published by LEFTOVER in December 2025. === === The Greatest Short Story Ever Written by Jennifer McMahon / @AuthorJmcm / @frazzledlitmag . The greatest short story ever written was squeezed from the fertile imagination of Private Simon Durant, US Army Rangers, in Germany in late December 1944. He wrote it with a blunt pencil, in the tiniest of writing, on the cardboard of a torn-open pack of cigarettes, before bedding down for the night with his platoon in the ruins of a church. The next morning, in a brief skirmish with a crack Waffen SS unit, Private Durant was killed by a stray enemy bullet that struck him in the heart, passing through the breast pocket of his tunic, wherein he had placed the story. His blood obliterated all but the closing paragraph: ‘As the bullet cut through flesh and bone, as it shredded Dawson’s aorta, his final thought, in the very brief moment before he expired, was not of his fiancé back home in Maryland who’d prayed for his safe return. He thought only of the greatest short story ever written, and how no one would ever get to read it.’ Years later, the blood-stained slip of cardboard was sold at auction in Baltimore for one hundred thousand dollars, to a wealthy stockbroker named John Reynolds. Stopping at a liquor store to buy a celebratory bottle of champagne, John was shot in the chest by a stray bullet, a bystander in a robbery of the store. John’s final thoughts, in the moment before he expired, were not of his wife and two small children. He thought only of the greatest short story ever written, and how he would never get the opportunity to decipher its true meaning. The young man arrested and charged at the scene had this to say: ‘Bullets don’t discriminate. Sometimes you find them, and sometimes they find you. All that really matters, when the smoke clears away, is that your story is over and no one’s ever going to hear it.’ It might have given Reynolds some comfort had he known that these were precisely the words Private Durant had used in the opening lines of the greatest short story ever written. . Jennifer McMahon won the 2024 AIS Creative Writing Award, the Irish Writers Centre Novel Fair in 2023, has been shortlisted for Short Story of the Year at the Irish Book Awards (2023), the Bridport Short Story Prize and many other notable awards. She was also a second-place winner of the Oxford Prize (winter 2023), and was twice longlisted for the Bath Short Story Award. Her work appears in Crannog (2023 and 2025), HOWL, The Irish Independent, The Galway Review, and many other places. === end ===

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Mythic Picnic@MythicPicnic·
MASTHEAD Mythic Micros by @KellieScottReed @KMWriter01 @rtigernyc @rgvaughan @HAWKEYE_mag @fshrum @ColinMGee @moranpress @TCWestminster @VictorDeAnda @RobSmith3 & @Fijo_Frenchie Curated by @NathanBorn2010 / Nathan Pettigrew #MythicPicnicTweetStory === === We wanted to do a MASTHEAD series to celebrate the magazines and small presses and the great people behind them helping to create literature with little or no hope of compensation beyond the love of words and magazines and books. Because of them we’ve found new writers. And new friends. In this first issue of MASTHEAD we have some of the people behind @press_roi @litgarage01 @Blood_Honey_Lit @BendingGenres @HAWKEYE_mag @SkywayJournal @GorkoThe @moranpress @BunkerSquirrels @RHP_Press & @punk_magazine — thank you all for what you do, and thank you to @NathanBorn2010 for pulling it all together. Mark === === The Tyranny of a Sunny Day . It’s a late fall day but it could be June. I get up from the desk To the door To outside Feeling a bit crazy, a little compulsive. So terrifying is the winter’s promise, I can’t waste a moment of This unseasonable warmth. The sunshine; the trees in their gold and red gowns cannot contain it. It bounces off and into prisms Accelerating this manic energy into A world buzzing and confused. Like that uptick in the demeanor someone who really just wants to end it all, But keeps it hidden because they mean it this time. It’s all dying now you know. But when the last living human staggers and then crawls their way to the dry river bed, I will be long dead, And this thought, yet another distraction. I open the front door for the third time today, I have nowhere to go. Alone with this hunger that won’t be satisfied because my day lacks form and structure- or is the structure the problem? Who fucking knows. Maybe I’ll go in and start dinner. But goddamn it, I can’t seem to stop staring at the sky. . by Kellie Scott-Reed of Roi Fainéant Press @KellieScottReed / @press_roi Kellie Scott-Reed is a writer, songwriter, AEIC of Roi Faineant Press, and the 1st AD on the TV Series “Deep End”. Her work can be found in Punk Noir Magazine, Mythic Picnic, Synchronized Chaos, Eratio Post Modern Poetry, Book/Chapbook Reviews in Roi Faineant Press, Moss Puppy where her piece “Venom” was nominated for the 2025 Pushcart Prize , Bullshit Lit, Houghley Review, Maintenant 17(photography) and her short fiction is featured in “The Place Where Everyone’s Name is Fear” an anthology from OutCast/Anxiety presses and Roi Faineant Press. Her songs can be found on iTunes and Spotify, under the band name FIVEHEAD. The press can be located at roifaineantpress . com and the YouTube channel can be found at https://youtube . com /@roifaineantpress4163?si=TaJpeLIxTWaUha_M where she conducts interviews with authors from all across the world. === === Last Exit . On a two-lane county road west of Macon, the sky finally split open in a blast of lightning and earth-shaking thunder. When the rain hit, it wasn’t gentle. It was a downpour, jagged and relentless, slicing at the asphalt in sheets. The wind howled, the road gleamed like black ice, and Archer found himself squinting into the gray, trying to keep the Harley between the lines. Archer pulled the bike into a small bar tucked near the highway exit and went inside to shake off the rain, killing time until it eased up. Inside, a handful of locals leaned into the bar, nursing beers and shots and half-finished conversations. A couple of guys rattled pool balls at the far end, playing a game of eight-ball. Nobody looked up when Archer dropped onto a stool and ordered a Jack Daniels. Kid Rock thumped from the corner jukebox, and a redhead at the bar tilted into the beat, shoulders loose, eyes half-closed. She traced a finger around her glass rim, pulling it to her lips with a slow, careful drag. Something about the way she sucked away the salt held Archer’s attention. Quietly sipping his whiskey, he chanced a smile when she finally glanced his way, but she casually flipped the hair from her face, turning from his stare. Outside, the rain eased as fast as it had begun. She finished her drink, gathered her purse, smiling to the bartender and the people around her. She checked the mirror behind the bar before standing, not the door. As she said her goodbyes, Archer could already feel the warmth of her skin, the faint trace of tequila on her breath, the way her voice would change when he pulled her close. He laid a twenty on the bar, slid his fingers into his coat pocket around the cold steel of his switchblade, and stepped back out into the shadows of the parking lot. . by Michael Downing of Literary Garage @KMWriter01 / @litgarage01 Michael Downing is the author of SAINTS of the ASPHALT and editor of Literary Garage’s upcoming Warren Zevon anthology, LAWYERS, GUNS, AND BAD INTENTIONS. === === The Spanakopita was Soggy . from two rounds of re-heating and all they’d do in the kitchen is spit on it, standard protocol for difficult customers and yes, I know it didn’t taste authentic but you came to Mr. Gyro’s in the French Quarter; I told you to go somewhere else, get a hamburger, but you whined that you’re a vegetarian as if that had anything to do with me and I was just trying to spare you, get you to leave before Stavros came in, saw the uneaten green lump and made you or me pay for it, and you asked me why I worked there as if I didn’t wonder this too, as if I wasn’t three shifts away from quitting because I was only ever assigned to lunch, serving greasy fries and overcooked lamb slathered in tzatziki to day drinkers stumbling three blocks up from Molly’s Irish Pub too drunk to tip and Stavros would ask me if I was gay, “You always wear pants like man,” though that was the uniform he told me to wear and when he would call me to fill in a night shift, serve ouzo to his coked-up friends until 3 am for a $20 tip, he’d say, “next time wear skirt,” but next time, I quit and when Stavros drove his white BMW up and down the narrow streets, Chartres and Dumaine, with his gun because someone told him I called the health department to report violations, I was out of town and by the time he realized it was his scorned lover, the day chef Malik, there was nothing any of us could do to stop him. The police didn’t care, another dead black kid from the Lower 9th ward, and when we had our makeshift memorial, beers on the spot along the Mississippi River where Malik smoked weed during his break, we cried with disbelief and perhaps awe at the mercurial world whose rules we were learning as we went along. . by Rebecca Tiger of Blood + Honey @rtigernyc / @Blood_Honey_Lit Rebecca Tiger teaches sociology at a college and in jails in Vermont and lives part-time in NYC. She writes stories on the long train ride between her two homes. Her work has appeared in Bending Genres, BULL, Hippocampus, Mom Egg Review, Peatsmoke, Roi Faineant, Tiny Molecules and elsewhere. twitter: @rtigernyc === === Scales and Reckless / Abandon . Scales I was captured by the Algonquins. My parents stole me right back. Then a different tribe stole me again. One minute I was in the teepee suckling the dark teat of my new mother, the next I sat at the mahogany dining table eating my oatmeal with a silver spoon. It was the first day of summer. One of my fathers was rosining his bow. The other one was practicing his scales, especially the minor ones. . Reckless/ Abandon Reckless: He shows a wreaking disregard for the safety of others. He has of late, he knows not how, lost his mirth. Wild and foolhardy he bungee-jumps from sharp objects, dallying, drives three sheets to the wind, drinks kamikaze shots while bowling for dollars he doesn’t have. To be or not to be, he is reckless like a necklace strung too tight without a clasp, a wasp with no asp Abandon: She ditches the car on a back road in an attempt to flee her past. She puts her hand over her mouth, the robin egg crushes underfoot. She can taste danger seeping through her pores, down her back, into the willow roots. Incapable of her own distress, she will fling herself, unrestrained, to the swamp, rue, from the brook. She springs free from encroachment, skimming like an amoeba across quicksand. . by Robert Vaughn of Bending Genres @rgvaughan / @BendingGenres Robert Vaughan is an award-winning author, playwright, and teacher. His books include Microtones (Cervena Barva, 2012), Diptychs + Triptychs + Lipsticks + Dipshits (Deadly Chaps, 2013), Addicts & Basements (CCM, 2014), RIFT (Unknown Press, 2015), Funhouse (Unknown Press, 2016), and Askew (Cowboy Jamboree, 2022). He was twice the runner-up for the Gertrude Stein Award for Fiction. His work has been widely anthologized, including the New Micro: Exceptionally Short Fiction (W.W. Norton, 2018) and Best Small Fictions 2016 and 2019 (Sonder Press), His plays have been produced in S.F., N.Y.C., and Milwaukee. He is the Editor-in-Chief of Bending Genres. www.robert-vaughan . com === === My Glass is Empty . Outside my tent, which we all call “The Swamp” for its general untidiness and slovenly charms, I trace the stars through New England fog, my sad sigh dispersing in this village north of Seoul. Remember Crabapple Cove? I ask myself, gin in hand. I swish the glass and, bottoms up, chew the olive, thinking of Maine lobster, the world’s finest, and Hardy Island, where I once canoed with my sweetheart, losing our innocence on its rocky shore. The stars are as numerous in Korea as they are in coastal Maine, yet somehow, for some reason, they do not twinkle as they did when I was young. The lights from The Swamp, The Officer’s Club beyond, play off my martini glass, a small white fire. I smile at its fierce tiny beacon, though my grin is more bitter than home-brew gin. Back inside, Mozart plays—sophistication to mask brutality. Laughter echoes behind a fan of cards, a poker game, where money is exchanged: military scrip. Meaningless. Everything, meaningless. Don Giovanni bellows amid the night, women wailing, screaming—Mozart is the music of war. And there it is, a sound to herald the aftermath of slaughter. Helicopters in the distance, approaching fast, carrying young boys far away from home. Chariots of fire—chariots on fire. And we all know what it means: a long shift ahead, meatball surgery and last rites. The music stops. The cards are laid down. Outside, I sigh Atlantic fog, veiling the stars that do not shine. I raise my glass, its rim on my lips. But there is nothing there. My glass is empty. . by HAWKEYE / @HAWKEYE_mag === === HELP US FIND HER . ESBEYDA ITZAMELY LUIS SANCHEZ last seen in the neighborhood Santa Lucia, City of Oaxaca by the shutdown Pemex gas station, in clothes: purple yoga tights, red blouse with #19 on the back, black fanny pack, favorite baseball cap also black with no words. Maybe wore her Crocs and backpack from night school too. Personal characteristics: toothy smile, thick lips, lazy eye, good eye being black, hair black, flat nose, five foot two, thin to look at, about 85 pounds, no makeup or jewelry to speak of. Heart-shaped birthmark on right thigh, brown, but not a flasher. Not a big talker. Dialects spoken: Zapotec, Castellano. Likes teddies and anime, all kinds of cute things, puppies. Warm personality, very loving once you get to know her, once cried when she was watching The Lion King. Esby does not swim or go near the pools. Afraid of heights too. Esby does not drink alcoholic beverages except on New Year’s with her own family. Catholic, single mother of Deny, please contact mother Rosario Sanchez Gutierrez or family at 555-123-1231. Of course we also do WhatsApp. May the LORD help us find her. Esby if you are reading this please send a WhatsApp immediately, you are not in trouble. . by Colin Gee of The Gorko Gazette @ColinMGee / @GorkoThe Colin Gee (@ColinMGee on X) is founder and editor of The Gorko Gazette. Latest book Robinson Crusoe Maybe with Urban Pigs Press. === === THE BODY . Knock. Knock. Knock. Three loud raps on the front door of my apartment. I shut off my phone and set it on the table. Knock. Knock. Knock. “It’s the police.” I hear a man’s voice through the door. I open the door to a handsome man in his thirties, blond crew cut hair and sky-blue eyes. No words from him yet, just stares and smiles and his boot kicking up dust on the wood floor of my porch. “Can I help you officer?” I break the silence. “That’s what we are hoping.” That’s all? “…with?” His partner coughs. The blond cop grits his teeth. The other cop must be his boss. “We found a body.” I let out a low whistle. My eyes find the name tag on his uniform. “Officer Smith, is that your name?" He nods. “I had nothing to do with it. I can’t help you.” The other cop removes his sunglasses. “We were told you have specific expertise for this case; we would like you to come downtown with us to discuss the investigation.” They’ve seen my file. “Not a chance.” Officer Smith throws up his hands and moves aside for his partner. “I’m Detective Warren. We really do need your help, or we wouldn’t be asking.” I take my cigarettes out of my back pocket and tap one out of the pack. Lighting it, I blow smoke rings into the space between us. “I don’t give a damn what you need.” Sirens piece the afternoon sky at the same moment the two-way radio clipped to Officer Smith’s shoulder beeps, and a voice relays information about a body found by the river. I guess this is not the body Officer Smith wished to ask me about. “Another body?” I ask. Detective Warren doesn’t answer and instead turns abruptly and marches off my porch. Still kicking at the dirt, Officer Smith remains for a few moments. Officer Smith starts to descend the steps but stops and looks at me over his shoulder. “It’s the third body.” . By Stephen Moran of Moran Press / @moranpress Stephen Moran is an author, publisher, and bookbinder. === === The Perfect House . It was the perfect house. Inside the walls, the perfect husband gambled away his life savings. Every loss spurred the man with the perfect gold watch and the perfectly styled hair to place a larger wager. Locked in a spiral, he could not break; he would stand silent in his perfect shoes, betting big until they changed the lock on the front door. It was the perfect house. The perfect wife, with her perfect hair and makeup, berated her husband until he dreaded coming home. He listened to her perfect shoes stomp after him as he cowered in the bathroom, seeking a moment of silence, unwilling to hear another list of unmet expectations. The evening's spent with the perfect wife, in her perfect dress, waiting at home with the perfect dinner getting cold because her perfect husband stayed late at work, feeling unworthy of all he had accumulated there. It was the perfect house. The perfect daughter had changed schools four times in three years because she was the best mean girl in the state. The only reason she wasn’t in juvie was that her perfect father golfed with a senator and funded his campaign. It was the perfect house. Every passerby wanted to be one of “The Joneses.” After all, it was a perfect house. . by T. C. Westminster of Bunker Squirrel Magazine @TCWestminster / @BunkerSquirrels Tori Westminster—Editor of Bunker Squirrel Magazine—is a wife and mother, author and editor, baker and gardening enthusiast, lover of nature, art, and the delights of life. She strives to find joy in an imperfect world. And peace in an imperfect body. === === Dishwasher . Silas watched through the binoculars at the policeman. The policeman scanned the street like he always did. Then the policeman walked into his garage and closed the door. Silas smiled. “I’m so tired of this MF,” Silas said to himself. “But he going to be tired of me soon,” He grinned and rubbed the 9mm in his pocket. The policeman would pay for all the times he arrested Silas. He would pay for putting Silas’s brother in jail yesterday. Not once did Silas consider obeying the law. Silas followed the policeman for a couple of weeks. He looked up the policeman’s address in the County property appraiser’s website. He learned the policeman’s routine. It was easy to do. A few times Silas thought he was spotted, but he wasn’t. On the big night, Silas got really high. He read in the prison library that the word assassin was derived from the word hashish. This was because the assassins would get really high before they killed someone. It helped lower their morals temporarily. Silas parked a couple streets over. When he saw the policeman’s car enter the subdivision, he moved his car slowly. Lights off. Music off. Silent running. He parked a couple streets over and walked. He tucked behind the side of the policeman’s house. He waited. He felt so high. He was ready. The policeman pulled into his driveway. Silas took a deep breath. He stepped out and leveled the gun. But he tripped on a cat that happened to be passing by. He stumbled and righted himself. He looked at the cat. It reminded him of the one he had as a kid. It was a gray tabby with a calico face. He suddenly heard his Mom’s voice in his head say “always be proud of what you do.” His face fell. “Why am I doing this? Mom would be so disappointed in me.” He holstered his gun and began to duck behind the house. That is when a .40 round hit him behind the ear. All went black. . by Fred Shrum III of Skyway Journal @fshrum / @SkywayJournal Fred Shrum, III is EIC of Skyway Journal. === === Broke Down South of Dallas . Me and Big Business are just north of Waco on I-35 when the old lady screeches and sputters. You know the sound. The ’74 Eldorado’s engine dies. Like my marriage did after forty-some years. I throw Bizzy into neutral, coax her onto the shoulder. Flip on the hazards. The rush hour traffic rages past. Ditto for the ex-wife once she checks her driveway. My cell buzzes. Her name and image light up the screen. Fuck me. I put her on speaker. “Where on God’s green Earth have you taken my baby?” I check Bizzy’s mirrors. “I’ve got every right to—” “No you don’t,” Lilah says. “The divorce settlement was final. She’s mine now.” A mosaic of tail lights fills my sideview. “I thought we agreed on joint custody of the car.” “Like hell we did!” My cellphone screen glows hotter with her stinging words. “I’m taking Bizzy back, numb nuts.” My thumb hovers above the “hang up” button. “Over my dead body, sweetie.” Lilah shushes me. “That’s the idea, darling.” Tires spitting gravel from behind. A V8 roars minus a muffler. In the rearview: A hopped-up camo’d 4x4 tears down the freeway shoulder, getting closer. “What the fuck?” Lilah’s static photo on my cell seems to smile. “I put a tracker on the car, dipshit. My guys will be taking her.” “Bitch,” I yell into the phone. End the call. Scramble for the .44 in my glovebox. Glass break. Something pierces the air and thumps the backside of the driver’s headrest like in the old Westerns. I fumble the gun to the floorboard. No time. Out of the car and running away fast. Another whizzing sound cuts the Texas humidity nearby. Backwards glance: two mountain-sized men clambering out of the 4x4. One’s hefting a serious crossbow. I sprint harder. More arrows hurtle past. A blink later, pfffttt. I take a tumble. The pain is blinding. Losing Bizzy hurts even worse. I break down and cry. . by Victor De Anda of Rock and a Hard Place Press @VictorDeAnda / @RHP_Press Victor De Anda’s stories have appeared in numerous publications and anthologies, including the Best American Mystery and Suspense 2025. === === Just a Little . Gary tossed the trash bag into the garbage can at the curb. One last bag he had forgotten to get from upstairs, which Gina yelled about. He looked toward the house and didn’t see her watching. His vape pen was at his lips, and he took a hit. A plume of vapor rose to meet the other clouds in the night sky. The crescent moon peeked out behind a fat cloud. “Is that what you gave Lucy?” Gary fumbled his vape pen. It clacked on the concrete driveway. Miranda, his next-door neighbor, stood with her hands in her hoodie pockets next to a bush. “Jesus, you scared the shit out of me.” He picked up his pen. “Did you give Lucy a toke off that weed vape?” He flinched, glancing over his shoulder. “Can you keep it down? Gina’s not cool about this.” Miranda stepped closer and lowered her voice. “Nine months sober. And you fucked that all up.” “I didn’t know, but your wife’s still sober. It’s just a little weed.” Her hands come out of her pockets at those words. She flicked open a small blade folding knife and pointed at him. “This is only three inches. If I stabbed you, it wouldn’t do much damage. I mean, it would hurt, but it wouldn’t kill you.” “Hey now.” “It’s just a little knife. But if I stabbed you in the eye, right into your brain, or drug the blade across the artery in your throat. Those would kill you.” She made a quick jab at Gary, but not very close. Gary tried to back away, but he banged into the garbage can. It fell loudly on the concrete, and he picked it up, placing it between him, Miranda, and her knife. A door creaked open, and Gina yelled, “Christ, what are you doing out there. Oh, hey Miranda. Everything all right?” “Yeah.” Miranda waved with her knife-free hand. “Just having a little conversation.” Gary stumbled toward the house, and Miranda spoke softly to him. “Won’t need it again, will we?” . by Rob D. Smith of Rock and a Hard Place Press @RobSmith3 / @RHP_Press Rob D. Smith is a common man attempting to write uncommon fiction in Louisville, KY. His Anthony Award-nominated pulp thriller Good-Looking Ugly is available from Shotgun Honey. An editor at Rock and a Hard Place Press, his work has appeared in Best American Mystery and Suspense, Vautrin, Thriller Magazine, Dark Yonder, Tough, and several other crime, horror, and speculative magazines, anthologies, and online publications. Find his work at https://robdsmith . carrd . co/ === === Curtain Close . It’s very hot in the theatre and his jacket is itchy, his shirt too tight. He struggles through the routine, butchers words in an off-key tone. He’s sweaty, tired, nauseated, so thirsty. His tongue feels too big in his mouth, his body too constricted and he fights the urge to unbutton his shirt, inhales large gulps of stale air that the room seems to be in low supplies off. The light engineer is hungover again and keeps on misplacing the projector, and without the blinding light on his face, he can intermittently spot audience members. The woman in the centre of the third row is pretty, and pretty bored by the looks of it. She’s checked her phone a few times already and joins in the audience’s laughter half-heartedly, and a few seconds late, the punchlines seeming to hit her later than everyone else. The spotlight travels back to him and the woman disappears. The light is so bright, what the fuck is wrong with the engineer? It makes him feel even hotter. He wipes his sweaty palms on his trousers, feels them gliding on the cheap polyester. He feels his heart thumping loudly, smashing against his thoracic cage. He’s sweaty, tired, nauseated. His heart is thumping and his shirt is constricting, he slides a finger underneath his collar, feels his clammy skin. The lights are blinding. His heart is thumping. He’s sweaty, tired, nauseated. Sweaty. Tired. Nauseated. Clammy. Sweaty. Thump Thump Thump. Thump. He collapses to the sound of the audience gasping and the pretty, bored woman from the third row rushes to the stage. And the pretty woman in the third row is the last thing he sees. . by B.F. Jones of Punk Noir @Fijo_Frenchie / @punk_magazine B F Jones is French and lives in the UK. She writes flash fiction and poetry. She has two flash fiction collections published by Anxiety Press, one poetry collection with Outcast press. She also writes music-inspired chapbooks for The Alien Buddha. Five Years was published in 2021, The Song Remains will be out in January and (Kind of) Magic in the spring. === end ===
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SmokeLong Quarterly
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A SmokeLong Summer 26 is all about community! Our theme this year is The Global Flash Village. Your ticket is good for two people, so bring a friend! smokelong.com/a-smokelong-su…
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Mythic Picnic
Mythic Picnic@MythicPicnic·
Check out the newest micros curated by @NathanBorn2010 then check the micros above from @TLTomljanovic @NathanBorn2010 @KennethMGRAY2 @TaraCampbellCom @BechtolJay @glennorgias @lumchanmfa @happymil_ & @phantomsspleen and then check back here for more! ⬇️ x.com/mythicpicnic/s…
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MASTHEAD v2 Mythic Micros from @GergleySteve @RelphJp @EricScotTryon @emilyrinkema @Christopher_All @moranpress @obaer @DelGeo14 @TommyDeanWriter @iaminfoian @gritvanwinkle & @AuthorJmcm Curated by @NathanBorn2010 / Nathan Pettigrew #MythicPicnicTweetStory === === We wanted to do a MASTHEAD series to celebrate the magazines and small presses — and the great people behind them — helping to create literature with little or no hope of compensation beyond the love of words and magazines and books. Because of them we’ve found new writers. And new friends. In this issue of MASTHEAD we have some of the people behind @scaffoldlitmag @TrashCatLit @flashfroglitmag @SmokeLong @moranpress Cthulhu Sex Magazine @rawlitmag @FracturedLit @uncharted_mag_ @fffict @CowboyJamboree & @frazzledlitmag — thank you all for what you do. === === Insomnia by Steve Gergley / @GergleySteve . For six-hundred days I couldn’t sleep, so I passed each night in my father’s armchair in the attic. There I listened to the rain clatter against the gambrel roof of the house. I watched the fuzzy dust motes tumble and twirl in the moonlight. I sunk into the slabs of soft leather and smelled the muddy musk of my sweat. Months later, on the hottest morning of the summer, as a glacier towered over the tops of the oaks and slowly carved a path through the cul-de-sac, I set up a camcorder on a tripod, returned to my father’s armchair, and beckoned my wife to the attic with a text. For the next year we sat sandwiched on the armchair together, grooming each other like cats, and watching the glacier through the tiny screen of the camcorder. Our clothes only survived six months. Our skin fused to the leather after eight. We invented a new language through touch and discovered staggering frontiers of bodily intimacy. I didn’t sleep. The glacier scratched closer to the house. The summer seemed to last forever. . Steve Gergley is the author of a bunch of books and a lot of weird writings of an indeterminate nature. His most recent book, There Are Some Floors Missing, was published by Bullshit Lit on February 20th, 2026. His fiction can be found at: stevegergleyauthor . wordpress . com. He's also the editor of scaffold literary magazine / @scaffoldlitmag === === My Daddy Became a Demonologist After Seeing Jesus in a Coffee Stain on His First Sobriety Chip by JP Relph / @RelphJp . He said it was God’s call. Started collecting fusty, leatherbound books with tanned pages. Learned to speak Latin. Hunkered in the den; reading, reciting. He didn’t have a bottle, didn’t stink up the place like a cheap bar – yet he still missed meals and baths, stayed up ‘til dawn. Little changed for us but blocking out rants in a foreign tongue. Daddy built an exorcist’s kit in a thrift store briefcase, wore black, collected water from churchyard puddles. He took me on his Godfearing missions: folks revered a small pigtailed child, whispering emphatically over a coiled rosary, didn’t question the veracity of the service Daddy purported to provide. We attended mansions, brownstones, farmhouses, trailer parks. Daddy said the devil’s acolytes disregarded status, sought weakness anywhere. Everywhere. With each exorcism, he become stubbled and strained in washed-grey, his voice growing heavy as rain-soaked earth, eyes dulling. I never believed anyone was possessed by anything unholy. Nobody burned when the puddle water splashed them. Folks growled, spat, vomited, cursed, but I only saw anguish. Desperation. For someone to see their pain. Hold their hand, kiss their forehead. Still, Daddy sent their demons somewhere. Left them weeping, hugging, promising change. Even as his own clawed him apart. Even as God let it. A cold, clear evil ever sloshed, bedeviled from liquor store doorways. Daddy never got the second chip. He emptied himself with his thirty-eight, spilling infernal red into the bathtub. The case was heavy at first, the Latin tongue-twisting. I don’t see God anywhere – not in mansions or trailers in weed-filled lots. I do see Daddy. In every washed-grey face, every dulled eye. I scream at demons with a little girl’s rage, fighting one that tears at my heart – because I saw, but didn’t how to exorcise. . JP Relph is a writer from Northwest England and editor of Trash Cat Lit (@TrashCatLit), a magazine dedicated to short fiction. She is hindered in all things by two cats and a thrifting addiction. Tea helps, milk first. JP has three short fiction collections and a co-authored novella in the wild. Her stories have been on the Wigleaf longlist and recommended in Ellen Datlow's Best Horror list. Best not to ask about The Novel, her eyes will roll right out her head. === === What I Want to Tell You the First Time You Mention Divorce in Front of Our Children by Eric Scot Tryon / @EricScotTryon . Tell me what you know about dismemberment. The tearing apart. The pull until something gives. Ligaments like piano wire. Tendons like the first memory of your father. Things that snap and break. And once detached there is no mending. No coming back together. Not like how clouds pull apart like taffy then reunite with shifting winds. Not like how water poured into water is water. The permanence of dismemberment doesn’t leave scars, it leaves large gaping cavities. Sink holes that swallow trees and houses and people like after-dinner mints. It is so much more than the mere separation of flesh. . Eric Scot Tryon is the Editor-in-Chief of Flash Frog (@flashfroglitmag). His debut novel I’m the Undertow drops this May. === === The Great Butter Baby Championship by Emily Rinkema / @emilyrinkema . She sits in a room full of women turning blocks of butter into babies. She works carefully, molding, dipping, kneading, wrapping until there is a baby-ish shape; cutting, squeezing, pinching, pressing until there is one fat little thigh, and then another; scraping, cupping, pushing, adding until the soft shoulders dip just right and the chin rests, barely, on the chest; brushing, smoothing, tweezing, etching until the tiny nose tips up at the end and the eyelashes separate into impossibly pale hairs. And then she loses, just like they said she would. Like they had told her from the start, like she had so many times before. They say stop crying, it’s okay, there’s always next year. They say, it just isn’t your time. She says, yeah, no, it’s fine, don’t worry, I’m fine, really, I’m fine, and she leaves her butter baby on the table like they tell her to. She climbs the stairs of the cold basement, so tired, counting each step, each one a foot taller than the one before until she’s crawling over the last step, pulling herself over the edge into the heat, way too hot for a butter baby, and I’m fine, fine, she says, leave me alone, she says to someone, maybe them, as she crawls across the parking lot, butter on her palms, under her fingernails, on her breasts where she had wiped her hands. . Emily Rinkema lives in Vermont. She is the assistant editor at Flash Frog (@flashfroglitmag), and her stories have been selected for Wigleaf Top 50, Best Small Fictions, and Best American Nonrequired. === === Falling Man by Christopher Allen / @Christopher_All . In the voice of your husband looking down from the cliff: I could have saved you if we’d both had Velcro hands. In the voice of James Earl Jones: If only you’d been a different man on a different path with a different husband. In the voice of a thousand crickets slowed and remixed to sound like a Lutheran choir lulling you, just one more falling man, into a delusive sense of drifting: Impact’s just a bump at the end of a light and lengthy phrase. In the voice of the countless stars: A Gemini and a Leo? Did you really think he’d save you? You should have married an Aries. In the voice of your stocky physics professor raging at the sky: An 18-wheeler passing the hospital during this man’s birth pulled more on him than any of you ever did! In the voice of Sally Field playing Sybil playing Sid: Everyone has their cliff to fall from, everyone their rock below. In the voice of a Veteran’s Day parade reechoing the angry cries of your father: If I’d known you were on that cliff, I’d have rushed there to unweight the world. In the voice of your mother cramming the wrong breast into your mouth, in the voice of Reason, in the voice of a doctor’s stinging hand, in the voice of ambiguity, in the voice of dynamite, in the voice of Ah-hah! In your own stilly words, even if you’ve found them a second too late: I’m sorry, Father, that I didn’t call. But you couldn’t have wrested me from this world. . Christopher Allen is the author of the flash collection Other Household Toxins and the satire Conversations with S. Teri O'Type. Allen, a nomad, is the owner and editor-in-chief of SmokeLong Quarterly / @SmokeLong === === DARKNESS by Stephen Moran / @moranpress . George woke later than usual, the morning sun pouring through the windows into his eyes. Rolling off the bed, he hurriedly pulled on pants before walking on stiff legs into the living room. He began his morning routine with practiced movements, one hand clutching the television remote, the other running water for coffee. George made breakfast as a newsman intoned reports of a looming global war. America declares war on Iran and several former allies… but George was no longer listening and clicked off the television, his attention drawn to the windows overlooking the street. Moving closer for a better view, his mouth dropped open, the sky was filled with fluttering black objects. Opening the front door, he bound down the steps and saw piles of black rose petals. He picked one off the ground, feeling the softness against his palm as he traced a finger over it. The neighbors stood chatting on porches and pedestrians walked unconcerned on the sidewalks, not one of whom gave a sign of noticing the phenomenon. At a café across the street, a man stood in a doorway smoking a pipe. “Do you not see the rose petals?” George asked the man. “I don’t know what you’re talking about. You’re crazy.” Dark ominous clouds suddenly filled the sky, petals falling in greater numbers and intensity. George watched the man with pipe pointing at the sky, finally aware something important was happening, his cries bringing several café employees onto the sidewalk. George lifted a hand above his head to shield himself, the pile of rose petals at his feet growing, the light of early afternoon a faded memory. A great darkness descended from the heavens, covering the entire sky with terrible speed. He heard, first singular and then with greater frequency, screams piercing the air, moments before a blinding flash of light and deafening roar shattered the horizon. . Stephen Moran is an author, publisher, and bookbinder. === === DARK TOUCH by Oliver Baer / @obaer . I was called to a sight today that gave me pause. A pause that sends chills up one’s spines (not sure why I believe I once had multiple spines) and makes one wish for another line of work. There was a report of a disturbance at the corner of Houston Street and 2nd Avenue. As I approached the site, there was a large explosion followed by an unearthly scream and a loud thump as something hit my windshield. It was a head. I cursed, hit the brakes and called for backup. Upon arriving on the scene, I saw only rubble and among it pieces of what I thought were twisted metal. I tried to question people in the area as to the source of the explosion. No one seemed to know as they saw no one go into the structure and no one come out. As I started to pick my way through the rubble, I saw that what I thought were pieces of twisted metal were not metal at all. They were pieces of human beings shaped into supporting structures and strengthened in much the same way as carbonized steel. There was a shift in the rubble near me and a shadow stretched forth towards me. As it touched me, I felt a clamminess and a fell whispering in my mind. I jerked myself away and stumbled over the rubble towards my car as fast as I could. I cannot tell you what horrors it related to me in that moment. But I swear it is still around looking for a way to make itself whole. Looking for something that will complete it. Looking for a place that it can hole up until it can enact its terrible revenge. Perhaps I should warn my informant his fears are true. . Oliver Baer was the editor for Cthulhu Sex Magazine and Two Backed Books. Now, he edits roleplaying game manuals for gaming companies. He writes dark poetry and horror stories. He has two books out, Letters to the Editor of Cthulhu Sex Magazine and Baer Soul. His website: https:// tentacularity . wordpress . com === === Ava’s Nine Lives by Delphine Gauthier-Georgakopoulos / @DelGeo14 . She lost the first to the umbilical cord wrapped around her neck as she turned blue and voiceless and no amount of butt-slapping could have saved her had the doctor not reacted fast enough and cut off the snake strangling her. She lost the second to a pond. A stupid pond that turned out to be deeper than her toddler’s brain. Her screams drowned underwater until a stranger’s hand reached for her sleeve and pulled her out. She lost the third being young and finally free to be loud and happy and an idiot. She lost the fourth to faulty brakes, tired tires, and Sahara sand covering a muddy-rained on road. She screamed when she regained control just short of hitting the pavement and a couple of passers-by. She lost the fifth during her third surgery that almost went wrong but then didn’t and she’d signed all the waivers and her waking up might have been a dream or might not and she had no idea so she chose to forget the whole thing. She lost the sixth to bacteria. And she will never forget how much mayhem those tiny non-creatures created, or the silent pain that made her groan. She lost the seventh somewhere along with her heart, when her ‘broken’ got so hurtful she started eating and drinking her feelings to keep them quiet. She lost the eighth to polyps invading her insides and throwing a bloody party all around. She got to take a look at them once they were out, and swore never to eat chicken liver again—just the thought makes her gag. She gets worried about the ninth, so she quits smoking, coffee, binging, and starts exercising. But while she squats and pushes up, she hears her grandmother’s clock ticking and knows no amount of ‘healthy’ will stop it from chirping. Cuckoo. . Delphine Gauthier-Georgakopoulos is the founder & EIC of Raw Lit @rawlitmag & co-founder of The Pride Roars @PrideRoars94731. Her debut historical novel, Laundry Day, was a Novel Fair runner-up. She lives in Athens, Greece. https:// delphinegg . weebly . com/ === === In High Places, We Tremble by Tommy Dean / @TommyDeanWriter . Repairing the roof was a nightmare. Each piece of shingling a cost he couldn’t compute. His wife suggested he do it by himself. How hard could it be? He had never told her about his fear of heights, of being dangled off a hotel balcony, his feet kicking in the air. He owed money, gambling as a teenager and as a man. Their finances in ruins. He ordered the shingles. A ladder. A nail gun. All on credit. She left for the weekend. A trip to her parents. Leaving him with the ghosts of his mistakes. On the roof, shadowed. . Tommy Dean Literary Agent, Rosecliff Literary EIC, Fractured Lit & Uncharted / @FracturedLit / @uncharted_mag_ === === Regime Change by Ryan Deysher . The first mayor of the village had no head, limbs, or body. It was just a pile of hair. The village was peaceful and prosperous during the pile of hair’s reign, so the mayor was considered judicious. This all changed on a night many years ago. A swift wind blew from the mountainside and shifted the pile of hair slightly off-kilter, thus creating a new hairstyle. Almost immediately, the village’s luck turned. At the very least, the villagers noticed a vague sense of cultural erosion, alongside a feeling of unease. The villagers spoke privately in hushed tones about their struggles. They came to the conclusion that their woes were the result of a tyrannical turn the pile of hair had recently taken, coinciding with the swift wind that blew its follicles slightly askew. A new era of unrest had begun. One day, in the throes of the village’s unrestful period, a farmer’s pig escaped from its pen. For days, the pig wantonly rooted around the village, symbolic of the chaos. Eventually, the pig made its way to the residence of the mayor. The animal promptly gobbled up the pile of hair, in an event remembered for its violence. It was a revolution—a time of great change. The villagers were overjoyed at the demise of the dictatorial mayor, but were at a loss with what to do with the pig and the farmer that owned him. The laws of the village dictated that the murder of the mayor was the highest possible treason. It was an unprecedented case—one that required the guidance of experts. As such, the villagers brought the case to the Hall of Adjudicators, located atop the same mountain where the dark wind that had blown the mayor to evil originated. The Adjudicators were locked in deliberation for what seemed like an eon. Eventually, they descended the mountain to give their orders. It was determined that the pig would be given leniency, on account of the mayor’s unwitting evil. In a sense, the pig’s act was one of heroism, made all the more heroic by the fact that the pig was completely unaware of itself. One of the two cardinal truths as laid out by the Adjudicators was that the truest form of heroism is unwitting heroism. The caveat was that the pig’s owner had to be executed. His pig’s escape was a minor mistake and ultimately beneficial, but was brought on by unwittingness. The second of the two cardinals truths as laid out by the Adjudicators was that the truest form of evil is unwitting evil. This marked the end of the period of unrest. The villagers were satisfied with the clean conclusion of the case. The pig was elected mayor. It ruled peacefully for years, until a sudden cascade of water descended the mountainside, drowning the village. In an instant, the whole of history was erased. Years later, a new village was erected atop the remnants of the old village. The story about the pig developed alongside the new village, until the tale became a local legend. If asked, the villagers will recite it by heart with poetic gusto. It is quite the cultural experience. However, I implore you to leave it at that. Don’t you dare ask the locals for the meaning of the pig story. They don’t know and they don’t want to know. Neither do I. And why would you? Previously published in Free Flash Fiction / @fffict Selected and edited by Ian Rushton of Free Flash Fiction / @iaminfoian . Ryan Deysher is a writer living in Wilmington, DE. His work can be found in Beaver Magazine, Misery Tourism, and The Oakland Arts Review. @ hollywood . deysh === === Hobo Postcard by Adam Van Winkle / @gritvanwinkle . Seasick Steve loves Boxcar Bertha, but Boxcar Bertha loves Mississippi Bones and his caboose. They all love Joe Hill and his hardknocks. None know Utah Phillips but got all his problems and passions. No one seen where Woody went. Round the yard ain’t none of ‘em will batter, buzz, bum, cage, mooch, pan, panhandle, sell pencils, or touch hearts. Most just lookin’ to twist a dream at the end of something that looks like a work day. Some may head to the peanut farm, the pogey, but then that ain’t trampin’, ramblin’, vagabondin’ or wanderin’. You need train smoke and sweat with your cigarette and a bindle to tramp. Dinner gets cooked in a banjo and then comes the bull rush. Bulls from the Dope. Bulls from Foul Water & Dirty Cars. Bulls from the Horned Toad. Bulls from The Bum’s Own. Bulls bustin’ freeriders with All Tramps Sent Free. Bulls with buzzers from the buzzard’s roost. Bulls bust even mud chickens with yard jobs. Bulls bust even Mr. Block, no matter how good he thinks he is. Bulls got saps. Bulls is dicks and pussyfooters. Mushfakers. Jackrollers. Hashers. Lakers. Organ Grinders. Mop Marys. Jacks and Molls all. All on the hog. All on the hummer. No, no, not yet. A hobo’s work is never done. . Adam Van Winkle was born and raised in Texoma and named for the oldest Cartwright son on Bonanza. He now lives with his wife and two sons in South Carolina. He is the founder and editor of Cowboy Jamboree Press and Magazine / @CowboyJamboree In addition to publishing his fiction, poetry and creative nonfiction online and in print at places like Revolution John, Pithead Chapel, Cheap Pop!, BULL, The Dead Mule School of Southern Literature, Roi Faineant, and Red Dirt Forum, he has published several novels and plays with Red Dirt Press, Cowboy Jamboree Press, and LEFTOVER Books. His most recent book, Count the Dust, a radio play novel, was published by LEFTOVER in December 2025. === === The Greatest Short Story Ever Written by Jennifer McMahon / @AuthorJmcm / @frazzledlitmag . The greatest short story ever written was squeezed from the fertile imagination of Private Simon Durant, US Army Rangers, in Germany in late December 1944. He wrote it with a blunt pencil, in the tiniest of writing, on the cardboard of a torn-open pack of cigarettes, before bedding down for the night with his platoon in the ruins of a church. The next morning, in a brief skirmish with a crack Waffen SS unit, Private Durant was killed by a stray enemy bullet that struck him in the heart, passing through the breast pocket of his tunic, wherein he had placed the story. His blood obliterated all but the closing paragraph: ‘As the bullet cut through flesh and bone, as it shredded Dawson’s aorta, his final thought, in the very brief moment before he expired, was not of his fiancé back home in Maryland who’d prayed for his safe return. He thought only of the greatest short story ever written, and how no one would ever get to read it.’ Years later, the blood-stained slip of cardboard was sold at auction in Baltimore for one hundred thousand dollars, to a wealthy stockbroker named John Reynolds. Stopping at a liquor store to buy a celebratory bottle of champagne, John was shot in the chest by a stray bullet, a bystander in a robbery of the store. John’s final thoughts, in the moment before he expired, were not of his wife and two small children. He thought only of the greatest short story ever written, and how he would never get the opportunity to decipher its true meaning. The young man arrested and charged at the scene had this to say: ‘Bullets don’t discriminate. Sometimes you find them, and sometimes they find you. All that really matters, when the smoke clears away, is that your story is over and no one’s ever going to hear it.’ It might have given Reynolds some comfort had he known that these were precisely the words Private Durant had used in the opening lines of the greatest short story ever written. . Jennifer McMahon won the 2024 AIS Creative Writing Award, the Irish Writers Centre Novel Fair in 2023, has been shortlisted for Short Story of the Year at the Irish Book Awards (2023), the Bridport Short Story Prize and many other notable awards. She was also a second-place winner of the Oxford Prize (winter 2023), and was twice longlisted for the Bath Short Story Award. Her work appears in Crannog (2023 and 2025), HOWL, The Irish Independent, The Galway Review, and many other places. === end ===

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Christopher Allen
Christopher Allen@Christopher_All·
Sexual predators are often charming and fun. That's it. That's what I'm thinking about tonight. It never gets easier.
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Mythic Picnic
Mythic Picnic@MythicPicnic·
If you read these micros from @NathanBorn2010 @GergleySteve @RelphJp @EricScotTryon @emilyrinkema @Christopher_All @moranpress @obaer @DelGeo14 @TommyDeanWriter @iaminfoian @gritvanwinkle & @AuthorJmcm then you can honestly say you’re reading while scrolling X ⬇️
Mythic Picnic@MythicPicnic

MASTHEAD v2 Mythic Micros from @GergleySteve @RelphJp @EricScotTryon @emilyrinkema @Christopher_All @moranpress @obaer @DelGeo14 @TommyDeanWriter @iaminfoian @gritvanwinkle & @AuthorJmcm Curated by @NathanBorn2010 / Nathan Pettigrew #MythicPicnicTweetStory === === We wanted to do a MASTHEAD series to celebrate the magazines and small presses — and the great people behind them — helping to create literature with little or no hope of compensation beyond the love of words and magazines and books. Because of them we’ve found new writers. And new friends. In this issue of MASTHEAD we have some of the people behind @scaffoldlitmag @TrashCatLit @flashfroglitmag @SmokeLong @moranpress Cthulhu Sex Magazine @rawlitmag @FracturedLit @uncharted_mag_ @fffict @CowboyJamboree & @frazzledlitmag — thank you all for what you do. === === Insomnia by Steve Gergley / @GergleySteve . For six-hundred days I couldn’t sleep, so I passed each night in my father’s armchair in the attic. There I listened to the rain clatter against the gambrel roof of the house. I watched the fuzzy dust motes tumble and twirl in the moonlight. I sunk into the slabs of soft leather and smelled the muddy musk of my sweat. Months later, on the hottest morning of the summer, as a glacier towered over the tops of the oaks and slowly carved a path through the cul-de-sac, I set up a camcorder on a tripod, returned to my father’s armchair, and beckoned my wife to the attic with a text. For the next year we sat sandwiched on the armchair together, grooming each other like cats, and watching the glacier through the tiny screen of the camcorder. Our clothes only survived six months. Our skin fused to the leather after eight. We invented a new language through touch and discovered staggering frontiers of bodily intimacy. I didn’t sleep. The glacier scratched closer to the house. The summer seemed to last forever. . Steve Gergley is the author of a bunch of books and a lot of weird writings of an indeterminate nature. His most recent book, There Are Some Floors Missing, was published by Bullshit Lit on February 20th, 2026. His fiction can be found at: stevegergleyauthor . wordpress . com. He's also the editor of scaffold literary magazine / @scaffoldlitmag === === My Daddy Became a Demonologist After Seeing Jesus in a Coffee Stain on His First Sobriety Chip by JP Relph / @RelphJp . He said it was God’s call. Started collecting fusty, leatherbound books with tanned pages. Learned to speak Latin. Hunkered in the den; reading, reciting. He didn’t have a bottle, didn’t stink up the place like a cheap bar – yet he still missed meals and baths, stayed up ‘til dawn. Little changed for us but blocking out rants in a foreign tongue. Daddy built an exorcist’s kit in a thrift store briefcase, wore black, collected water from churchyard puddles. He took me on his Godfearing missions: folks revered a small pigtailed child, whispering emphatically over a coiled rosary, didn’t question the veracity of the service Daddy purported to provide. We attended mansions, brownstones, farmhouses, trailer parks. Daddy said the devil’s acolytes disregarded status, sought weakness anywhere. Everywhere. With each exorcism, he become stubbled and strained in washed-grey, his voice growing heavy as rain-soaked earth, eyes dulling. I never believed anyone was possessed by anything unholy. Nobody burned when the puddle water splashed them. Folks growled, spat, vomited, cursed, but I only saw anguish. Desperation. For someone to see their pain. Hold their hand, kiss their forehead. Still, Daddy sent their demons somewhere. Left them weeping, hugging, promising change. Even as his own clawed him apart. Even as God let it. A cold, clear evil ever sloshed, bedeviled from liquor store doorways. Daddy never got the second chip. He emptied himself with his thirty-eight, spilling infernal red into the bathtub. The case was heavy at first, the Latin tongue-twisting. I don’t see God anywhere – not in mansions or trailers in weed-filled lots. I do see Daddy. In every washed-grey face, every dulled eye. I scream at demons with a little girl’s rage, fighting one that tears at my heart – because I saw, but didn’t how to exorcise. . JP Relph is a writer from Northwest England and editor of Trash Cat Lit (@TrashCatLit), a magazine dedicated to short fiction. She is hindered in all things by two cats and a thrifting addiction. Tea helps, milk first. JP has three short fiction collections and a co-authored novella in the wild. Her stories have been on the Wigleaf longlist and recommended in Ellen Datlow's Best Horror list. Best not to ask about The Novel, her eyes will roll right out her head. === === What I Want to Tell You the First Time You Mention Divorce in Front of Our Children by Eric Scot Tryon / @EricScotTryon . Tell me what you know about dismemberment. The tearing apart. The pull until something gives. Ligaments like piano wire. Tendons like the first memory of your father. Things that snap and break. And once detached there is no mending. No coming back together. Not like how clouds pull apart like taffy then reunite with shifting winds. Not like how water poured into water is water. The permanence of dismemberment doesn’t leave scars, it leaves large gaping cavities. Sink holes that swallow trees and houses and people like after-dinner mints. It is so much more than the mere separation of flesh. . Eric Scot Tryon is the Editor-in-Chief of Flash Frog (@flashfroglitmag). His debut novel I’m the Undertow drops this May. === === The Great Butter Baby Championship by Emily Rinkema / @emilyrinkema . She sits in a room full of women turning blocks of butter into babies. She works carefully, molding, dipping, kneading, wrapping until there is a baby-ish shape; cutting, squeezing, pinching, pressing until there is one fat little thigh, and then another; scraping, cupping, pushing, adding until the soft shoulders dip just right and the chin rests, barely, on the chest; brushing, smoothing, tweezing, etching until the tiny nose tips up at the end and the eyelashes separate into impossibly pale hairs. And then she loses, just like they said she would. Like they had told her from the start, like she had so many times before. They say stop crying, it’s okay, there’s always next year. They say, it just isn’t your time. She says, yeah, no, it’s fine, don’t worry, I’m fine, really, I’m fine, and she leaves her butter baby on the table like they tell her to. She climbs the stairs of the cold basement, so tired, counting each step, each one a foot taller than the one before until she’s crawling over the last step, pulling herself over the edge into the heat, way too hot for a butter baby, and I’m fine, fine, she says, leave me alone, she says to someone, maybe them, as she crawls across the parking lot, butter on her palms, under her fingernails, on her breasts where she had wiped her hands. . Emily Rinkema lives in Vermont. She is the assistant editor at Flash Frog (@flashfroglitmag), and her stories have been selected for Wigleaf Top 50, Best Small Fictions, and Best American Nonrequired. === === Falling Man by Christopher Allen / @Christopher_All . In the voice of your husband looking down from the cliff: I could have saved you if we’d both had Velcro hands. In the voice of James Earl Jones: If only you’d been a different man on a different path with a different husband. In the voice of a thousand crickets slowed and remixed to sound like a Lutheran choir lulling you, just one more falling man, into a delusive sense of drifting: Impact’s just a bump at the end of a light and lengthy phrase. In the voice of the countless stars: A Gemini and a Leo? Did you really think he’d save you? You should have married an Aries. In the voice of your stocky physics professor raging at the sky: An 18-wheeler passing the hospital during this man’s birth pulled more on him than any of you ever did! In the voice of Sally Field playing Sybil playing Sid: Everyone has their cliff to fall from, everyone their rock below. In the voice of a Veteran’s Day parade reechoing the angry cries of your father: If I’d known you were on that cliff, I’d have rushed there to unweight the world. In the voice of your mother cramming the wrong breast into your mouth, in the voice of Reason, in the voice of a doctor’s stinging hand, in the voice of ambiguity, in the voice of dynamite, in the voice of Ah-hah! In your own stilly words, even if you’ve found them a second too late: I’m sorry, Father, that I didn’t call. But you couldn’t have wrested me from this world. . Christopher Allen is the author of the flash collection Other Household Toxins and the satire Conversations with S. Teri O'Type. Allen, a nomad, is the owner and editor-in-chief of SmokeLong Quarterly / @SmokeLong === === DARKNESS by Stephen Moran / @moranpress . George woke later than usual, the morning sun pouring through the windows into his eyes. Rolling off the bed, he hurriedly pulled on pants before walking on stiff legs into the living room. He began his morning routine with practiced movements, one hand clutching the television remote, the other running water for coffee. George made breakfast as a newsman intoned reports of a looming global war. America declares war on Iran and several former allies… but George was no longer listening and clicked off the television, his attention drawn to the windows overlooking the street. Moving closer for a better view, his mouth dropped open, the sky was filled with fluttering black objects. Opening the front door, he bound down the steps and saw piles of black rose petals. He picked one off the ground, feeling the softness against his palm as he traced a finger over it. The neighbors stood chatting on porches and pedestrians walked unconcerned on the sidewalks, not one of whom gave a sign of noticing the phenomenon. At a café across the street, a man stood in a doorway smoking a pipe. “Do you not see the rose petals?” George asked the man. “I don’t know what you’re talking about. You’re crazy.” Dark ominous clouds suddenly filled the sky, petals falling in greater numbers and intensity. George watched the man with pipe pointing at the sky, finally aware something important was happening, his cries bringing several café employees onto the sidewalk. George lifted a hand above his head to shield himself, the pile of rose petals at his feet growing, the light of early afternoon a faded memory. A great darkness descended from the heavens, covering the entire sky with terrible speed. He heard, first singular and then with greater frequency, screams piercing the air, moments before a blinding flash of light and deafening roar shattered the horizon. . Stephen Moran is an author, publisher, and bookbinder. === === DARK TOUCH by Oliver Baer / @obaer . I was called to a sight today that gave me pause. A pause that sends chills up one’s spines (not sure why I believe I once had multiple spines) and makes one wish for another line of work. There was a report of a disturbance at the corner of Houston Street and 2nd Avenue. As I approached the site, there was a large explosion followed by an unearthly scream and a loud thump as something hit my windshield. It was a head. I cursed, hit the brakes and called for backup. Upon arriving on the scene, I saw only rubble and among it pieces of what I thought were twisted metal. I tried to question people in the area as to the source of the explosion. No one seemed to know as they saw no one go into the structure and no one come out. As I started to pick my way through the rubble, I saw that what I thought were pieces of twisted metal were not metal at all. They were pieces of human beings shaped into supporting structures and strengthened in much the same way as carbonized steel. There was a shift in the rubble near me and a shadow stretched forth towards me. As it touched me, I felt a clamminess and a fell whispering in my mind. I jerked myself away and stumbled over the rubble towards my car as fast as I could. I cannot tell you what horrors it related to me in that moment. But I swear it is still around looking for a way to make itself whole. Looking for something that will complete it. Looking for a place that it can hole up until it can enact its terrible revenge. Perhaps I should warn my informant his fears are true. . Oliver Baer was the editor for Cthulhu Sex Magazine and Two Backed Books. Now, he edits roleplaying game manuals for gaming companies. He writes dark poetry and horror stories. He has two books out, Letters to the Editor of Cthulhu Sex Magazine and Baer Soul. His website: https:// tentacularity . wordpress . com === === Ava’s Nine Lives by Delphine Gauthier-Georgakopoulos / @DelGeo14 . She lost the first to the umbilical cord wrapped around her neck as she turned blue and voiceless and no amount of butt-slapping could have saved her had the doctor not reacted fast enough and cut off the snake strangling her. She lost the second to a pond. A stupid pond that turned out to be deeper than her toddler’s brain. Her screams drowned underwater until a stranger’s hand reached for her sleeve and pulled her out. She lost the third being young and finally free to be loud and happy and an idiot. She lost the fourth to faulty brakes, tired tires, and Sahara sand covering a muddy-rained on road. She screamed when she regained control just short of hitting the pavement and a couple of passers-by. She lost the fifth during her third surgery that almost went wrong but then didn’t and she’d signed all the waivers and her waking up might have been a dream or might not and she had no idea so she chose to forget the whole thing. She lost the sixth to bacteria. And she will never forget how much mayhem those tiny non-creatures created, or the silent pain that made her groan. She lost the seventh somewhere along with her heart, when her ‘broken’ got so hurtful she started eating and drinking her feelings to keep them quiet. She lost the eighth to polyps invading her insides and throwing a bloody party all around. She got to take a look at them once they were out, and swore never to eat chicken liver again—just the thought makes her gag. She gets worried about the ninth, so she quits smoking, coffee, binging, and starts exercising. But while she squats and pushes up, she hears her grandmother’s clock ticking and knows no amount of ‘healthy’ will stop it from chirping. Cuckoo. . Delphine Gauthier-Georgakopoulos is the founder & EIC of Raw Lit @rawlitmag & co-founder of The Pride Roars @PrideRoars94731. Her debut historical novel, Laundry Day, was a Novel Fair runner-up. She lives in Athens, Greece. https:// delphinegg . weebly . com/ === === In High Places, We Tremble by Tommy Dean / @TommyDeanWriter . Repairing the roof was a nightmare. Each piece of shingling a cost he couldn’t compute. His wife suggested he do it by himself. How hard could it be? He had never told her about his fear of heights, of being dangled off a hotel balcony, his feet kicking in the air. He owed money, gambling as a teenager and as a man. Their finances in ruins. He ordered the shingles. A ladder. A nail gun. All on credit. She left for the weekend. A trip to her parents. Leaving him with the ghosts of his mistakes. On the roof, shadowed. . Tommy Dean Literary Agent, Rosecliff Literary EIC, Fractured Lit & Uncharted / @FracturedLit / @uncharted_mag_ === === Regime Change by Ryan Deysher . The first mayor of the village had no head, limbs, or body. It was just a pile of hair. The village was peaceful and prosperous during the pile of hair’s reign, so the mayor was considered judicious. This all changed on a night many years ago. A swift wind blew from the mountainside and shifted the pile of hair slightly off-kilter, thus creating a new hairstyle. Almost immediately, the village’s luck turned. At the very least, the villagers noticed a vague sense of cultural erosion, alongside a feeling of unease. The villagers spoke privately in hushed tones about their struggles. They came to the conclusion that their woes were the result of a tyrannical turn the pile of hair had recently taken, coinciding with the swift wind that blew its follicles slightly askew. A new era of unrest had begun. One day, in the throes of the village’s unrestful period, a farmer’s pig escaped from its pen. For days, the pig wantonly rooted around the village, symbolic of the chaos. Eventually, the pig made its way to the residence of the mayor. The animal promptly gobbled up the pile of hair, in an event remembered for its violence. It was a revolution—a time of great change. The villagers were overjoyed at the demise of the dictatorial mayor, but were at a loss with what to do with the pig and the farmer that owned him. The laws of the village dictated that the murder of the mayor was the highest possible treason. It was an unprecedented case—one that required the guidance of experts. As such, the villagers brought the case to the Hall of Adjudicators, located atop the same mountain where the dark wind that had blown the mayor to evil originated. The Adjudicators were locked in deliberation for what seemed like an eon. Eventually, they descended the mountain to give their orders. It was determined that the pig would be given leniency, on account of the mayor’s unwitting evil. In a sense, the pig’s act was one of heroism, made all the more heroic by the fact that the pig was completely unaware of itself. One of the two cardinal truths as laid out by the Adjudicators was that the truest form of heroism is unwitting heroism. The caveat was that the pig’s owner had to be executed. His pig’s escape was a minor mistake and ultimately beneficial, but was brought on by unwittingness. The second of the two cardinals truths as laid out by the Adjudicators was that the truest form of evil is unwitting evil. This marked the end of the period of unrest. The villagers were satisfied with the clean conclusion of the case. The pig was elected mayor. It ruled peacefully for years, until a sudden cascade of water descended the mountainside, drowning the village. In an instant, the whole of history was erased. Years later, a new village was erected atop the remnants of the old village. The story about the pig developed alongside the new village, until the tale became a local legend. If asked, the villagers will recite it by heart with poetic gusto. It is quite the cultural experience. However, I implore you to leave it at that. Don’t you dare ask the locals for the meaning of the pig story. They don’t know and they don’t want to know. Neither do I. And why would you? Previously published in Free Flash Fiction / @fffict Selected and edited by Ian Rushton of Free Flash Fiction / @iaminfoian . Ryan Deysher is a writer living in Wilmington, DE. His work can be found in Beaver Magazine, Misery Tourism, and The Oakland Arts Review. @ hollywood . deysh === === Hobo Postcard by Adam Van Winkle / @gritvanwinkle . Seasick Steve loves Boxcar Bertha, but Boxcar Bertha loves Mississippi Bones and his caboose. They all love Joe Hill and his hardknocks. None know Utah Phillips but got all his problems and passions. No one seen where Woody went. Round the yard ain’t none of ‘em will batter, buzz, bum, cage, mooch, pan, panhandle, sell pencils, or touch hearts. Most just lookin’ to twist a dream at the end of something that looks like a work day. Some may head to the peanut farm, the pogey, but then that ain’t trampin’, ramblin’, vagabondin’ or wanderin’. You need train smoke and sweat with your cigarette and a bindle to tramp. Dinner gets cooked in a banjo and then comes the bull rush. Bulls from the Dope. Bulls from Foul Water & Dirty Cars. Bulls from the Horned Toad. Bulls from The Bum’s Own. Bulls bustin’ freeriders with All Tramps Sent Free. Bulls with buzzers from the buzzard’s roost. Bulls bust even mud chickens with yard jobs. Bulls bust even Mr. Block, no matter how good he thinks he is. Bulls got saps. Bulls is dicks and pussyfooters. Mushfakers. Jackrollers. Hashers. Lakers. Organ Grinders. Mop Marys. Jacks and Molls all. All on the hog. All on the hummer. No, no, not yet. A hobo’s work is never done. . Adam Van Winkle was born and raised in Texoma and named for the oldest Cartwright son on Bonanza. He now lives with his wife and two sons in South Carolina. He is the founder and editor of Cowboy Jamboree Press and Magazine / @CowboyJamboree In addition to publishing his fiction, poetry and creative nonfiction online and in print at places like Revolution John, Pithead Chapel, Cheap Pop!, BULL, The Dead Mule School of Southern Literature, Roi Faineant, and Red Dirt Forum, he has published several novels and plays with Red Dirt Press, Cowboy Jamboree Press, and LEFTOVER Books. His most recent book, Count the Dust, a radio play novel, was published by LEFTOVER in December 2025. === === The Greatest Short Story Ever Written by Jennifer McMahon / @AuthorJmcm / @frazzledlitmag . The greatest short story ever written was squeezed from the fertile imagination of Private Simon Durant, US Army Rangers, in Germany in late December 1944. He wrote it with a blunt pencil, in the tiniest of writing, on the cardboard of a torn-open pack of cigarettes, before bedding down for the night with his platoon in the ruins of a church. The next morning, in a brief skirmish with a crack Waffen SS unit, Private Durant was killed by a stray enemy bullet that struck him in the heart, passing through the breast pocket of his tunic, wherein he had placed the story. His blood obliterated all but the closing paragraph: ‘As the bullet cut through flesh and bone, as it shredded Dawson’s aorta, his final thought, in the very brief moment before he expired, was not of his fiancé back home in Maryland who’d prayed for his safe return. He thought only of the greatest short story ever written, and how no one would ever get to read it.’ Years later, the blood-stained slip of cardboard was sold at auction in Baltimore for one hundred thousand dollars, to a wealthy stockbroker named John Reynolds. Stopping at a liquor store to buy a celebratory bottle of champagne, John was shot in the chest by a stray bullet, a bystander in a robbery of the store. John’s final thoughts, in the moment before he expired, were not of his wife and two small children. He thought only of the greatest short story ever written, and how he would never get the opportunity to decipher its true meaning. The young man arrested and charged at the scene had this to say: ‘Bullets don’t discriminate. Sometimes you find them, and sometimes they find you. All that really matters, when the smoke clears away, is that your story is over and no one’s ever going to hear it.’ It might have given Reynolds some comfort had he known that these were precisely the words Private Durant had used in the opening lines of the greatest short story ever written. . Jennifer McMahon won the 2024 AIS Creative Writing Award, the Irish Writers Centre Novel Fair in 2023, has been shortlisted for Short Story of the Year at the Irish Book Awards (2023), the Bridport Short Story Prize and many other notable awards. She was also a second-place winner of the Oxford Prize (winter 2023), and was twice longlisted for the Bath Short Story Award. Her work appears in Crannog (2023 and 2025), HOWL, The Irish Independent, The Galway Review, and many other places. === end ===

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Christopher Allen
Christopher Allen@Christopher_All·
@atrupar This is infuriating. Viktor Orbàn is simply pro-Russian. In no universe would this person be described as a peacemaker. This is propaganda.
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Aaron Rupar
Aaron Rupar@atrupar·
JD Vance: "I hate to say this, because there are obviously much bigger economies and populous countries in Europe, but most of the European political capitals have not been nearly as helpful to the cause of peace between Russia and Ukraine as Viktor Orban has"
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Christopher Allen
Christopher Allen@Christopher_All·
@atrupar Hungary is one of the biggest welfare whores in Europe. It's rich to suggest that the EU is trying to harm Hungary's economy. The EU has pumped more money into Hungary than you can imagine.
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Aaron Rupar
Aaron Rupar@atrupar·
JD Vance in Hungary: "This is not American influence. I would never do this, but do you know how easy it would be for the US to threaten Hungary economically in the same way the EU has? We would never do that because we respect their friends enough to respect their democratic will."
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Channel 4 News
Channel 4 News@Channel4News·
US Vice President JD Vance has accused EU officials in Brussels of trying to sway Hungary’s election, calling it “serious foreign interference.”
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Christopher Allen
Christopher Allen@Christopher_All·
@atrupar Hungary has received more funds from the EU than most other countries--they're like a welfare whore. Vance is a propagandist hoping you'll just believe him because of course you think Orbàn must be a good person. Orbàn is not a good person.
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Aaron Rupar
Aaron Rupar@atrupar·
JD Vance campaigns with Orban: "What has happened in this election campaign is one of the worst examples of foreign election interferences that I've ever seen or read about. The bureaucrats in Brussels have tried to destroy the economy of Hungary. They've done it because they hate this guy."
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