Drew Gohmann

Cheryl Reeve on the trans sports bans from her perspective of being a leader in women’s sports “Of course it weighs on me, the attacks on trans people, the attacks that they’ve gone through… it seems like it’s got way more aggressive, it’s sort of sickening when the issues they are trying to tackle are really not issues, the number of transgender athletes they are now making laws for and creating a problem, to get elected…what I’m hopeful for is that people have gotten themselves more educated and they understand that, that’s not actually a problem… exclusion is never the answer, separate isn’t equal, and trans lives matter, so to take away something that’s so valuable that sports brings to young people in particular and what it does, as I have a youngster, encourages you to be part of a team and what it gives you in terms of teamwork, leadership, competitiveness, all the things, they have every right to that as well”

Just saw The Odyssey. Despite what you may have heard, literally all of the criticisms by conservatives were entirely correct. The movie is just as woke as you fear, if not more so. The DEI casting is atrocious. Completely takes you out of the story right from the beginning. But even worse than that is Nolan’s decision to turn Odysseus into an anachronistic whiney, solemn shell of a man plagued by “trauma” and guilt. It’s impossible to overlook these flaws because the film itself is not terribly entertaining or well constructed. For the most part it is disjointed, dull, self-serious, disenchanted, somehow feeling both verbose and overly rushed at the same time. The dialogue is some of the worst I’ve ever heard in a “critically acclaimed” film. “On the nose” and “clunky” are descriptions that can’t even begin to describe this script. At no point in the story does Nolan ever transport the audience to the ancient world. You never feel like you’re 3,000 years in the past. You feel like you’re watching modern Americans put on a pageant, because you are. Nobody would be calling this thing a masterpiece if it was made by a director not named Christopher Nolan.