@787FKA @john__gerrard Finally we have come to the point where it‘s not about the noise on X anymore but about the art
English
SNOWCASH
2K posts
SNOWCASH
@SNOWCASH432
exploring the history of digital art and cyberpunk culture. With a focus on creating physical and virtual happenings.
Switzerland Katılım Kasım 2021
2.1K Takip Edilen2.5K Takipçiler
After a very long wait, I can finally share a bit more about what I’ve been working on for the last 2 years.
What started almost as a joke during a gathering with a few friends 4 years ago has now become something real. 🧵
Automat@Automatdotart
Automat. automat.art
English
SNOWCASH retweetledi
Kim Asendorf: "Generally my work is built on spontaneous visions and ideas, which is why I call it 'expressive.' I communicate through art... Monogrid was the first work that I knew should grow as part of the blockchain community."
monogrid 60 by @kimasendorf, 2021
Right Click Save@RtClick_Save
THE INTERVIEW | KIM ASENDORF The artist (@kimasendorf) discusses how digital art has evolved from Web2 to Web3 with River Davis (@drbannerX) Read at the link below👇
English
@postanika They already had a proto prompt section at Jeu de Paume AI show and included some Fluxus etc.
English
The Art Newspaper calling Sol LeWitt's, Yoko Ono's, etc., instructions "prompt-based image-making" flattens history into a contemporary buzzword. That's like calling Andy Warhol a selfie artist.
0xDEAFBEEF@_deafbeef
Grateful for any coverage @TheArtNewspaper and open to criticism. I'm hack and I know it, price you pay for being a generalist. but this is incorrect. I never dismissed prompting or the use of AI in art making, and well aware of those histories (PAYPHONE was in fact on display). Another small correction is that I hate welding. The oscilloscope sculptures are hand forged and have zero welds.
English
SNOWCASH retweetledi
Couldn't make it to Switzerland for Art Basel's presentation of Digital Masterpieces: From Code to Canon?
Watch the guided walkthrough with @SNOWCASH432 and @vernissagetv at the link below. Featuring Mary Ellen Bute, Ben Laposky, Herbert W. Franke, Manfred Mohr, and more.
vernissagetv@vernissagetv
Digital Masterpieces: From Code to Canon / ArtMeta at Art Basel 2026 Zero 10 youtu.be/tFRZREOiVn4?si… In this video, Georg Bak (Partner, ArtMeta) shows us some highlights or ArtMeta's booth at Zero 10, Art Basel's platform for art of the digital era. The exhibition was titled “Digital Masterpieces: From Code to Canon” and provided a comprehensive survey of the canonical history of digital art spanning 70+ years. Expressed through seven curated chapters, the exhibition traces the evolution of digital art from early experiments with electronic signals and algorithmic graphics to contemporary AI and blockchain-based practices. ArtMeta is a curatorial platform for digital art, contributing to its historical, critical and cultural contextualization through exhibitions, conferences, publications and institutional collaborations. Artists Include: Ben F. Laposky, Desmond Paul Henry, Herbert W. Franke, Mary Ellen Bute + Ted Nemeth, Aaron Marcus, Alfred Graßl, Charles Csuri, Frieder Nake, Gottfried Honegger, Gottfried Jäger, Hein Gravenhorst, Hiroshi Kawano, Joan Truckenbrod, Kenneth C. Knowlton, Leon Harmon, Manfred Mohr, Michael Noll, Otto Beckmann, Robert Mallary, Vera Molnar, and many more. @artmetaofficial @ArtBasel
English
Back in Athens after 2 beautiful days in the Greek island of Hydra for the @DesteFoundation opening of the exhibition "Until That Day" by Nari Ward.
I really loved the theme and the presentation of the exhibition which was all about immigration and the realities of that in Greece.
Something I realized from talking to a few "trad art people" who also visited Basel was that they were not aware of Zero 10, which saddened me because I really wanted to hear perspectives from outside of our space.
Nonetheless back to work! Research, vibecoding and fundraising mode.
English
We had Vernissage TV visiting us and featuring our booth..
vernissagetv@vernissagetv
Digital Masterpieces: From Code to Canon / ArtMeta at Art Basel 2026 Zero 10 youtu.be/tFRZREOiVn4?si… In this video, Georg Bak (Partner, ArtMeta) shows us some highlights or ArtMeta's booth at Zero 10, Art Basel's platform for art of the digital era. The exhibition was titled “Digital Masterpieces: From Code to Canon” and provided a comprehensive survey of the canonical history of digital art spanning 70+ years. Expressed through seven curated chapters, the exhibition traces the evolution of digital art from early experiments with electronic signals and algorithmic graphics to contemporary AI and blockchain-based practices. ArtMeta is a curatorial platform for digital art, contributing to its historical, critical and cultural contextualization through exhibitions, conferences, publications and institutional collaborations. Artists Include: Ben F. Laposky, Desmond Paul Henry, Herbert W. Franke, Mary Ellen Bute + Ted Nemeth, Aaron Marcus, Alfred Graßl, Charles Csuri, Frieder Nake, Gottfried Honegger, Gottfried Jäger, Hein Gravenhorst, Hiroshi Kawano, Joan Truckenbrod, Kenneth C. Knowlton, Leon Harmon, Manfred Mohr, Michael Noll, Otto Beckmann, Robert Mallary, Vera Molnar, and many more. @artmetaofficial @ArtBasel
English
@jamie247 @ArtBasel @eli_schein @redbeardnft @artmetaofficial @Interface_art @artblocks_io Congrats to your acquisitions 👏
English
What a brilliant Zero 10 @ArtBasel congrats to @eli_schein & @redbeardnft 👏
Had the pleasure to collect several historical digital art works from (1941 to ‘71) and some contemporary thx to @artmetaofficial @Interface_art & @artblocks_io inc. 👇🏼
English
SNOWCASH retweetledi
One of my favourite artworks to come across at zero10 was this Larry Cuba work ‘Calculated Movements’ from 1985 at the @artmetaofficial booth.
English
SNOWCASH retweetledi
Popularly known for his commercial work on Star Wars' Death Star graphics, Larry Cuba's personal oeuvre would pursue a deeper inquiry — towards understanding how code could compose motion without narrative, illusion, or special effects.
Calculated Movements by Larry Cuba, 1985
sssluke@sssluke1
One of my favourite artworks to come across at zero10 was this Larry Cuba work ‘Calculated Movements’ from 1985 at the @artmetaofficial booth.
English
SNOWCASH retweetledi
Herbert W. Franke in 1959: "Art grows out of tradition. One path to understanding it therefore leads through history. It can be traced from its beginnings, out of the mythical darkness of religiosity; through many transformations in definition and method, it has become the many-layered phenomenon that we know today."
Below: TANZ DER ELEKTRONEN (Dance of the Electron) by Herbert W. Franke, 1961-1962 | @0xJeremynow Collection.
Quote from Franke, Herbert W. “Lichtgrafik und Musik.” Melos: Zeitschrift für neue Musik, vol. 26, nos. 7-8, July-Aug. 1959, pp. 223-25.
English
I came to @ArtBasel to observe, research, and learn. Yet somehow, the Zero 10 exhibition ended up being the section where I collected the most. So what changed my mind?
This third Zero 10 edition felt less focused on performative or participatory works and more on tracing the history of digital art, from early computer-generated experiments to protocol-native and on-chain generative art. It explored the signal running through digital art's evolution, from code to canon.
As Co-Founder & Director of @ArtverseParis, this resonated deeply with how I think about digital art: works that explore the dialogue between art, technology, and the digital realm. As both a collector and gallerist, one of my priorities is supporting artists who are shaping this conversation - established and emerging voices whose work reflects, questions, and reimagines our relationship with technology.
Did I mention the opportunity to meet artists directly? Having conversations around their practice, process, and conceptual framework provides a much richer understanding of the work itself.
So, which works joined my collection?
• Ben F. Laposky — Oscillon 16 via @AspreyStudio
• Herbert W. Franke — Tanz der Elektronen via @artmetaofficial
• Vera Molnár — 11 rouges and Au commencement était le carré via @Interface_art and @GalerieOniris
• DEAFBEEF — SYNTH POEM: OSCILLOSCOPE No. 3 via @AspreyStudio and @_deafbeef
1/2
English
SNOWCASH retweetledi
Selections from Georg Bak's Artificial Flower Shop
Featuring the works of Memo Akten & Katie Hofstadter, Anna Ridler, and David Young.
ArtMeta@artmetaofficial
Digital Masterpieces: From Code to Canon A selection of works from INTELLIGENCE, tracing digital art’s shift from artist-written programs to trained models, where datasets, neural networks, prompts, and AI infrastructures redefine the machine as a creative medium. Booth Z9 | Art Basel's Zero 10
English
SNOWCASH retweetledi
Scenes from Digital Masterpieces: From Code to Canon at Art Basel’s Zero 10.
As captured by VernissageTV — the preeminent video documenters of installations & exhibitions worth preserving.
Full Zero 10 coverage on their channel (below).
vernissagetv@vernissagetv
Art Basel 2026 Zero 10 youtu.be/7NJbBYIerQk?si… In this video we take a look at the third edition of Zero 10 at Art Basel in Basel 2026. Zero 10 is Art Basel’s dedicated global initiative and sector for art of the digital era. It focuses on works shaped by technology, including digital, generative, computational, media, algorithmic, AI-driven, robotic, and immersive practices.
English
SNOWCASH retweetledi
Digital Masterpieces: From Code to Canon
A selection of works from INTELLIGENCE, tracing digital art’s shift from artist-written programs to trained models, where datasets, neural networks, prompts, and AI infrastructures redefine the machine as a creative medium.
Booth Z9 | Art Basel's Zero 10
English
@SNOWCASH432 @artmetaofficial Its more beautiful than I could have ever imagined — incredible job on the install as always 🙏🏼
English
SNOWCASH retweetledi
surprised and honored to be part of this exceptional survey by @artmetaofficial debuting at @ArtBasel. thank you @SNOWCASH432 for believing in me and my work over the years.
ArtMeta@artmetaofficial
Digital Masterpieces: From Code to Canon Debuting at @ArtBasel's Zero 10, Booth Z9 (June 16 - 20, 2026). A comprehensive survey of the canonical history of digital art spanning 70+ years, tracing the rise of computation as medium through masterworks from the digital art canon.
English
SNOWCASH retweetledi
