CMac

THE FINAL TIMELINE: Why This Feast-to-Feast Framework Feels Like the Real Deal This is the prophetic timeline I've been piecing together since Oct 15… obsessively! all. day. long. If you've followed the thread, you know it's all about Scripture number counts dropping perfectly onto feasts and events without any forcing (2520, 1,260, 1,335, 77, 70, 7 and trumpet alignments) It's about recognizing patterns that scream "watch this." The goal is to get people thinking, repenting, and looking up before it's too late ───────────── Here's the BIG picture: **What the Timeline Is About** **Feast-to-Feast Connections**: Everything aligns on biblical holy days – from trumpet warnings to dedications, passovers, and midpoints. It's like the calendar itself is echoing Scripture's structure, showing a counterfeit peace leading to true deliverance. **Prophetic Numbers Falling Into Place**: Counts like half-times (3½ years), blessing periods, and grace windows land exactly where they should, tying false lights to serpent symbols and ultimate returns. No stretching – just the math working out feast by feast. **Warnings Building to a Climax**: Starts with heavenly signs announcing trouble, ramps up through global "peace" cries, kicks off the final stretch with a confirmed covenant, hits the explosion at the midpoint (abomination, asteroid flyby), and ends with the real King breaking through. ───────────── 👉🏻Why It Feels Real: - We’ll hit 2000 years since Jesus' death and resurrection in 7 yrs — that's two "days" in God's 1000-year scale. - God rested on the seventh day after creation. If we're wrapping up the sixth millennium —the seventh millennial rest starts Passover 2033 Alarming, right? “When you see ALL these things, look up…” Luke 21:28 ───────────── This isn't speculation; it's patterns anyone can count if they look. Follow chronologically from the start below. The timeline that I noticed checks all these markers! It is an astronomical rarity to have a feast to feast alignment of 2520 days, added with the perfect symbolism of harvest to Trumpet. Then…the Ezekiel prophecy of burying the dead, purification AND the Rev 12 Great Sign announcement The timeline ends on the feast of trumpets The trumpet that announces Jesus‘s return! Jesus opened my eyes to this timeline —I’m praying He opens yours too It’s simple and stunningly accurate!

@Zigmanfreud Just… Stop Lying. PERIOD. Life will be much better.

This video provides a really good explanation for why rank & file MAGA are stronger believers than the media/influencer class of MAGA, as well as why Penn Staters are, counter intuitively, the very worst subjects when it comes to learning that the “Penn State Scandal” is a fraud.

@yassermedinam I adore Sean Connery. This is my fav Indy movie. Seen it more times than I can say.

Steven Spielberg enfrentó la diferencia de 12 años de edad entre Harrison Ford y Sean Connery en el set de "Indiana Jones y la última cruzada" (1989). Decidió que Connery siempre tuviera barba blanca, mientras Ford estuviera afeitado para parecer más joven. Al final, funcionó.

@HiddenHistoryYT Thanks for posting this. This is an incredible story. We need more heroes like Hunter Scott!

In 1945 the USS Indianapolis secretly delivered the parts for the atomic bomb that would hit Hiroshima. Days later, mission done, a Japanese submarine put two torpedoes into her. She sank in 12 minutes. Nearly 900 men made it off the ship alive and into the open ocean. Then it got worse. No one knew they were missing. Three separate Navy stations picked up the distress signals and every one of them ignored it. One officer thought it was a Japanese trap. Another had ordered not to be disturbed. So the men floated. For almost five days. No food, no fresh water, burning by day and freezing at night. Some drank seawater and went insane. And the whole time, the sharks were circling and feeding. It is considered the worst shark attack in human history. When rescue finally came by accident, only 316 of the nearly 1,200 crew were still alive. The Navy needed someone to blame for the disaster. They chose Captain Charles McVay, one of the men who survived it. He became the only U.S. captain in the entire war to be court-martialed for losing his ship to the enemy. At his trial the Navy did something almost unheard of. They brought in the Japanese commander who sank the ship to testify against him. Instead, the enemy captain told the court that zigzagging would have made no difference and that McVay did nothing wrong. They convicted him anyway. For years afterward McVay got hate mail from the families of the dead. Some sent letters every Christmas telling him he murdered their sons. In 1968 he walked onto his front lawn and shot himself, holding a toy sailor he had kept since he was a boy. Case closed. For fifty years. Then in 1996 an 11-year-old named Hunter Scott watched Jaws with his dad and got hooked on the 30 second speech about the Indianapolis. He made it his sixth grade history project. He tracked down and interviewed nearly 150 survivors. He dug through more than 800 documents. And buried in there he found what the Navy had left out, including that they knew enemy subs were operating right on the ship's route and never warned McVay. A kid's school project turned into a national story. It reached Congress. In 2000 lawmakers passed a resolution clearing McVay's name and President Clinton signed it. The Navy officially cleared his record in 2001. The captain the Navy spent decades blaming was finally exonerated by a sixth grader. Hunter Scott grew up and became a naval flight officer.

@banditobobby @HiddenHistoryYT @PeteWaters15 Wow. Very cool story. Actually amazing. Thanks for sharing. 🙏🏻

I love what this young man did to clear the Captain McVay’s name. I posted this awhile back on X: Summer of 1975 I had just watched Jaws in our local theater. A few weeks later, I was in a fishing boat on a lake in British Columbia with my dad’s buddy, a fellow Boeing engineer. That day, my dad had flown the owner of the fishing camp over to a nearby town (Williams Lake) to buy supplies, so it was just John and I fishing that day. An electrical engineer, John Ashord from Lubbock, Texas was a kind, and soft spoken man. He asked about my summer. I proceeded to tell him about the movie Jaws, and described in detail the scene in the galley of the Orca where Clint, Brodie, and Hooper are telling sea stories. When I was telling him about the sinking of the Indianapolis, and the 800 men eaten by sharks and the 300 survivors, he just sat there listening with his fishing pole in hand. When I finished the story, John told me was an Indianapolis survivor. I was stunned beyond words. He described being pulled out of the water and that the warmth he felt from the arms of his rescuer, felt like he was being born again. Every year until his passing, John sent me a birthday gift. It was usually a piece of fishing kit like a knife, lure, or book. I’m grateful I knew John Ashford.

@Notwokenow We need this reminder! THANKS ! I love it! Hilarious. Keep posting it! Never let anyone forget 😂 🤣😆

Every time I’m a little down, a bit gloomy, I rewatch this. It perks me right up. Every. Single. Time. Bookmark it!!!

@FreddyLA7 Welcome Back! We missed you!

On our way into the Smokey Mountains of Tennessee and North Carolina!!!

@bestofemcgregor It’s from Cool Hand Luke. You’re welcome lololol 🤗

🕊️ Ewan McGregor and Sam Neill playing guitar together on The Graham Norton Show. 🎸❤️ [𝐒𝐄𝐄 𝐌𝐎𝐑𝐄] instagram.com/p/Dau8QGjIB9z/

@atensnut Lookin good sacha!

Do you recognize him ? He turned 72 this year.

@Rainmaker1973 I went to her site, but the tunnel boxes don’t show pricing. ?

A stunning compilation of Alley McGlynn’s favorite paper art creations. [📹 alleymcglynn]

@RedWavePress KC is one the worst cities in America. Give me a break. They must be in a small pocket. Plaza? Overland?

AMAZING: Foreigners in the U.S. for the World Cup are raving about America’s heartland, with Kansas City — by far the smallest host city — emerging as a surprising fan favorite. “I NEVER get this barbecue in China.” “I advise you to visit Kansas. It’s most beautiful.” “The nicest people. People are really nice.” “It’s nothing like Miami, or New York. I mean it’s the heart of the U.S.”

@howertonjosh Yahweh is a guess. Jesus is the name… I AM salvation

In the book of Exodus, God reveals his personal name to Moses. The meaning behind it goes deeper than most people realize. It's not about who you are. It's about who HE is.

@MerriamWebster Wheelhouse 🙄

What is the most overused word in your line of work? Let it out.

Recently restored from the National Archives… The first known image of Mitch McConnell, standing beside Abraham Lincoln in 1864. Some careers really do last forever.

@atensnut 2 With no plans to add any!

Give yourself one point for each one you’ve tried. I only got 5 but I do not feel deprived at all. 😂😂

@toys_retro OMGOSH! I’ve never seen it either! 😂🤣😂🤣😂🤣😂🤣

🚨 I’ve watched this film more times than I can count… and I NEVER noticed the girl taking the counter to the face! 😂 How did I miss that?!

@Shery_cricket WoW.

@IndianaGPA Do other countries sing their national anthem at every sports event? 🙋🏼‍♀️

What I’ve learned from World Cup Travelers….Did I miss anything?

@IndianaGPA God has truly BLESSED America!

@Old_But_Gold50s Wow. I needed this today. Very cool!

One of the most memorable moments in The Scarlet Pimpernel (1982) is not a dazzling sword fight or a daring rescue, but the scene near the end of the film when Sir Percy Blakeney no longer has any need to maintain the façade of a foolish aristocrat. After spending the entire story appearing frivolous, preoccupied only with fashionable clothes, light verse, and the pleasures of high society, he finally stands revealed as the man he truly is: composed, resolute, and quietly heroic. The power of this scene does not lie in Percy revealing his abilities. It lies in the meaning of what he has chosen to conceal. From the beginning of the film, the audience already knows that Percy is the Scarlet Pimpernel. Each time he speaks absurdly, behaves with theatrical affectation, or allows himself to become the object of ridicule, viewers understand that this is not his true character. The mystery the film gradually unfolds is not who Percy is, but why he has willingly lived behind such a mask for so long. Percy does not pretend to be a fool because he lacks courage. He pretends to be one because it is the surest way to save lives. If the world believes him to be nothing more than a vain and idle nobleman, no one will suspect him of possessing the resolve and intelligence required to lead a secret network rescuing innocent men and women from the guillotine during the French Revolution. The contempt of others becomes the very shield that protects every mission he undertakes. Every insult Percy quietly accepts helps preserve another human life. It is here that Percy begins to differ from many familiar portrayals of heroism. Ordinarily, when people are misunderstood, they seek to explain themselves. When they are underestimated, they feel compelled to prove their worth. Honour and recognition seem almost instinctive human desires. Percy chooses the opposite path. He knows who he is, and therefore has no need for others to confirm it. He knows what is right, and therefore has no need for others to applaud it. What he chooses to protect is not his own reputation, but the lives of those waiting to be rescued. For this reason, when the mask is finally laid aside at the end of the film, the audience's admiration arises from far more than the discovery that Percy is brave, intelligent, and resourceful. What commands their respect is the full measure of the sacrifice he has quietly embraced all along. The greatest trial is not crossing swords with one's enemies, but enduring misunderstanding while continuing, without complaint, to do what is right. This is precisely why Percy so clearly embodies the traditional ideal of the hero. Within that tradition, heroism is defined not first by glorious deeds, but by virtue. Strength, intellect, and courage are all admirable qualities, yet they attain their highest worth only when governed by moral goodness. The true hero does not act in order to be celebrated. He acts because what is right must be done. Reputation, if it comes at all, is merely the consequence, never the purpose. At a deeper level, the scene touches upon a fundamental principle of human dignity. A person is truly free only when his worth no longer depends upon the judgement of others. So long as one requires praise in order to persevere in goodness, or recognition in order to justify one's actions, one's conduct remains, to some degree, governed by the ego. But when someone is willing to sacrifice even his own reputation in order to defend what is right, he places a higher value above personal self-interest. Percy is the embodiment of that freedom. Seen in this light, the deepest power of the scene lies not merely in the removal of a disguise. What the film ultimately reveals is a profoundly classical ideal of heroism: a person achieves true nobility not when admired by the world, but when remaining faithful to goodness even when no one knows who he truly is. Virtue does not require public display in order to be virtue, nor does duty require applause in order to remain duty. It is for this reason that Sir Percy Blakeney is more than the man who rescues innocent victims from the machinery of terror unleashed during the French Revolution. He becomes the embodiment of the heroic ideal cherished within the classical tradition: one who is prepared to sacrifice even his own good name in defence of what is just. Perhaps this is why Sir Percy Blakeney has endured as such a compelling figure, continuing to be admired by successive generations as one of the finest representations of the classical hero.