Figure31
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Figure31
@figure31
Loucas Braconnier. Blockchain art and other inventions. UQAM.




Generative conversations



in motion




for months i've been thinking about the relationship b/w protocol art + worldbuilding after reading a theory of the brain that the 2 hemispheres are a protocol + a world it struck me that protocol art + worldbuilding could be how artists externalize those 2 modes of themselves

Despite what I read here, the on the ground reality in Venice was this: digital focussed work has a fringy existence at this years edition of the worlds biggest contemporary art festival. There was a handful of very interesting pavilions that were close to my heart (eg Taiwan's Li-Yi Fan (my personal fav) and Denmark's Maja Malou Lyse) and of course there were highly relevant and interesting shows outside of the core programming (looking at you @hollyherndon, @matdryhurst, HUO et al). But all in all we're looking at a low single digit percentage of digital related work. Its as if nfts never happened or (more likely) that the speculative games were so exessive that the art people simply pushed it out of their memory entirely. The kicker is that while last time the biennial was mostly dead artists (which made the lack of digital logical), this year 95% of them are alive and well. And yet, most of it was still drawings, paintings and hand crafted sculpture. Do with this what you will. My personal interest obviously still lies with the creative examination of digital systems and realities, but no one is served if we delude ourselves about our standing in the larger ecosystem.














