๐‡๐€๐๐ƒ๐ˆ๐„๐ƒ๐€๐ โœ‚๏ธ๐Ÿ’พ

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๐‡๐€๐๐ƒ๐ˆ๐„๐ƒ๐€๐ โœ‚๏ธ๐Ÿ’พ banner
๐‡๐€๐๐ƒ๐ˆ๐„๐ƒ๐€๐ โœ‚๏ธ๐Ÿ’พ

๐‡๐€๐๐ƒ๐ˆ๐„๐ƒ๐€๐ โœ‚๏ธ๐Ÿ’พ

@HANDIEDAN

๐™ฐ๐š—๐šŠ๐š•๐š˜๐š๐šž๐šŽ ๐šŸ๐šœ ๐™ณ๐š’๐š๐š’๐š๐šŠ๐š• ๐šŸ๐šœ ๐™ฐ๐š—๐šŠ๐š•๐š˜๐š๐šž๐šŽ ๐šŸ๐šœ ๐™ณ๐š’๐š๐š’๐š๐šŠ๐š• ๐šŸ๐šœ ๐™ฐ๐š—๐šŠ๐š•๐š˜๐š๐šž๐šŽ | https://t.co/0CXmyeLdk6 | @thedoomedxyz | @amelie_in_space

๐’๐๐€๐‚๐„๐“๐ˆ๐Œ๐„ เน€เธ‚เน‰เธฒเธฃเนˆเธงเธก Haziran 2009
1.1K เธเธณเธฅเธฑเธ‡เธ•เธดเธ”เธ•เธฒเธก4K เธœเธนเน‰เธ•เธดเธ”เธ•เธฒเธก
เธ—เธงเธตเธ•เธ—เธตเนˆเธ›เธฑเธเธซเธกเธธเธ”
๐‡๐€๐๐ƒ๐ˆ๐„๐ƒ๐€๐ โœ‚๏ธ๐Ÿ’พ
Decal no.47 | HANDIEDAN LIMINAL is the space between what was and what is becoming. Edition: 1/1/100 Digital Artwork All unique All made by hand
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Deca ๐ŸŸฅ ๐ŸŸฉ โฌ› ๐ŸŸช@0xDecaArt

Gm to Decal Series 47 by @HANDIEDAN Distortion ///// Glitch Analogue ///// Digital Find out how to win 1 of 100 unique variants in the thread below โฌ‡๏ธ

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๐‡๐€๐๐ƒ๐ˆ๐„๐ƒ๐€๐ โœ‚๏ธ๐Ÿ’พ เธฃเธตเธ—เธงเธตเธ•เนเธฅเน‰เธง
SUYE | ART | WEB3
SUYE | ART | WEB3@droi_suyeยท
#NewProfilePic MYO whitelist is open now! myo.land first come, first served 30+ artist collaborations limited to 777 MYO Art pieces. The mint gives you a 3D print file to have fun with! Enjoy fam! Come ideate with us in our discord
SUYE | ART | WEB3 tweet media
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๐‡๐€๐๐ƒ๐ˆ๐„๐ƒ๐€๐ โœ‚๏ธ๐Ÿ’พ เธฃเธตเธ—เธงเธตเธ•เนเธฅเน‰เธง
Shards ๐Ÿ”บ
Shards ๐Ÿ”บ@shards_tezยท
Another awesome piece from the beeple event by @HANDIEDAN
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๐‡๐€๐๐ƒ๐ˆ๐„๐ƒ๐€๐ โœ‚๏ธ๐Ÿ’พ เธฃเธตเธ—เธงเธตเธ•เนเธฅเน‰เธง
Fellowship
Fellowship@fellowshiptrustยท
At the studio with @sougwen ๐ŸŽง What is drawing in the 21st century when confronted with new technologies? Can mark-making manifest the tensions new these tools pose to traditional forms of image making? How does history affect oneโ€™s practice and how can materials manifest these personal and historical relationships?
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๐‡๐€๐๐ƒ๐ˆ๐„๐ƒ๐€๐ โœ‚๏ธ๐Ÿ’พ เธฃเธตเธ—เธงเธตเธ•เนเธฅเน‰เธง
ARTXCODE
ARTXCODE@artxcode_ioยท
We are pleased to announce that two canvas works from RECURSIONS ้ž่ฟด found new homes during VIP preview of @ArtBasel Hong Kong. Booth Z01 | Zero10 | presented by @fellowshiptrust ร— ARTXCODE x @StudioScilicet x @opensea
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๐‡๐€๐๐ƒ๐ˆ๐„๐ƒ๐€๐ โœ‚๏ธ๐Ÿ’พ เธฃเธตเธ—เธงเธตเธ•เนเธฅเน‰เธง
alejandro cartagena
alejandro cartagena@halecar2ยท
Seeing @sougwen's performance yesterday at @ArtBasel made me think of something we both had talked about a few weeks back. We discussed ideas about data, labor, and what it means to be an artist today. Sougwen had mentioned how artists have that ability to understand the dignity of work and labor amidst our current conditions, and that struck a chord. This form of mark-making: using data, protocols, and systems, is not commonly associated with labor. Maybe more with automation and efficiency. But here, watching this performance, we are confronted with the body, with labor, with time spent for the work to become an artwork. Though one can't fully attribute artistry with labor (many hours of painting don't automatically make a great work of art), in this context of "AI art," I like the conundrum this kind of mark-making infuses into the clichรฉ and preconception of what doing art with these tools ought to be. Nothing is immediate or efficient in Sougwen's work. Everything is conditioned by the body. Data is empty until it is embodied. "...while there is meaning in the data, the meaning is the meaning we make by working with it as practitioners..." @sougwen
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๐‡๐€๐๐ƒ๐ˆ๐„๐ƒ๐€๐ โœ‚๏ธ๐Ÿ’พ เธฃเธตเธ—เธงเธตเธ•เนเธฅเน‰เธง
Zhuk
Zhuk@Zhuk_liveยท
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๐‡๐€๐๐ƒ๐ˆ๐„๐ƒ๐€๐ โœ‚๏ธ๐Ÿ’พ เธฃเธตเธ—เธงเธตเธ•เนเธฅเน‰เธง
Modest
Modest@m0dest___ยท
jobs not finished. now... there were quite a few of you who submitted and weren't selected. i know how much that sucks, and as hard as i try to be fair and objective, there are always collectors that feel left out/wronged/pissed off/etc. in an effort to share my gratitude for the support, < please stand for the apocalypse xiii > has been minted and will ONLY BE AVAILABLE TO THOSE WHO WERE NOT SELECTED FOR THE OTHER PIECES. if you'd like to mint an edition and you were not selected in the previous lottery - drop your address below. (except if you were one of the people that told me to fuck off - you can kick rocks) there will be no exceptions, sorry. glhf
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๐‡๐€๐๐ƒ๐ˆ๐„๐ƒ๐€๐ โœ‚๏ธ๐Ÿ’พ เธฃเธตเธ—เธงเธตเธ•เนเธฅเน‰เธง
Shape
Shape@shapeยท
shapers! your DeePle tickets are now DeePle items claim here & equip them to your DeePle! โ†“ deeple.xyz/claim
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๐‡๐€๐๐ƒ๐ˆ๐„๐ƒ๐€๐ โœ‚๏ธ๐Ÿ’พ เธฃเธตเธ—เธงเธตเธ•เนเธฅเน‰เธง
SUYE
SUYE@suye_coยท
MYO - From the shadows we rise. 777 unique art pieces, 111 AP Artist editions, whitelist opens up: 28-3-26, 3PM.
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The Doomed DAO
The Doomed DAO@thedoomedxyzยท
Today we proudly welcome @Punk8868 to The Doomed DAO ๐Ÿ‘‹๐Ÿ’€ Thor is a devoted collector staying true to the craft - unshaken even in the darkest moments. Welcome aboard friend๐Ÿซก
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๐‡๐€๐๐ƒ๐ˆ๐„๐ƒ๐€๐ โœ‚๏ธ๐Ÿ’พ เธฃเธตเธ—เธงเธตเธ•เนเธฅเน‰เธง
NFC SUMMIT - JUNE 4-6 2026 - LISBON
[1/3] Arab Bank Switzerland @arabbankCH Digital Art Prize 2026 : Open Call is live ! ๐Ÿ›๏ธ For the first time, the prize unfolds within a curated exhibition inside @NFCsummit. Theme: SYSTEMS. Curated by @NinaRoehrs. $10,000 prize + acquisition of an artwork for the ABS collection.
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Rebecca Rose
Rebecca Rose@RebeccaRoseยท
Gm โœจ Invited to show at @diapo_gallery for an exhibition in Cannes, France starting April 1st! More info soon โœจ
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๐‡๐€๐๐ƒ๐ˆ๐„๐ƒ๐€๐ โœ‚๏ธ๐Ÿ’พ เธฃเธตเธ—เธงเธตเธ•เนเธฅเน‰เธง
Modest
Modest@m0dest___ยท
< please stand for the apocalypse > โž• *** โˆ† series of 12 /33 each full sets allocated lottery open now apocalypseallocation.netlify.app โ€  allowlist for each will be announced at 10am ET / 7am PT monday 3/23 mint live monday 3/23 11am ET / 8am PT.
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