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The primary factor in ensuring your NFT maintains value over time:
Sustained Relevance
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ComfyDevil 😈
26.8K posts
ComfyDevil 😈
@comfydevil
collector | photographer | ~timeReaper~
judecca ⭕️ Katılım Mart 2013
5.8K Takip Edilen13.4K Takipçiler
ComfyDevil 😈 retweetledi
Terraforms going brrrrr
Want to sense-check a listed parcel's price? terraformestimator.xyz
Want to learn more about the lore? terraformlore.xyz
Dms open.
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TF salesbot goin nuts today with some big moves.
Terraforms sales bot@hypercastle_bot
#9449 | Level 11 at {0, 3} 10 WETH (take-bid) Terrain Flow [BLOOD] B0
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1. TOOL (Fear Inoculum tour)
2. Pantera (Vulgar Display & Far Beyond Driven tours)
3. Korn (Blind - first & second tours 🔥)
4. Type O Negative (Bloody Kisses, shook hands w P Steele 💀)
5. Insane Clown Posse (got covered in Faygo)
6. Motley Crue (GGG tour - Tommy Lee went upside down)
7. Lamb of God
8. Meshuggah
9. Code Orange
10. Tenacious D
Boona@BoonaETH
Introduce yourself with 10 live shows you've seen: 1. TOOL 2. Nine Inch Nails 3. Tyler, The Creator 4. Puscifer 5. The Disco Biscuits 6. Umphrey’s McGee 7. STS9 8. Ratatat 9. Pearl Jam 10. Alan Jackson
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@Jediwolf no doubt tool has unknowingly brokered peace deals simply from discovery of shared tastes
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@comfydevil Seeing Tool at the top of multiple lists says a lot about who’s around. Interesting pattern. Love to see it!
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@jnorem good eye that's certainly an outlier on this list
i can still smell faygo in my nostrils every once in a while
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@comfydevil The next time I see you, we will be discussing the ICP concert and what life choices led to that.
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@Jediwolf finding that the reason why most people love the art is bc they believe it is valuable
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@BoonaETH First one was sick—small venue and nobody knew what to expect.
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If you’re here bc of the tech and if you’re here for the art I hope that this post crosses feeds.
The creative process and challenges that Han describes is moving and exciting if you’re into the tech and if you’re into the art.
With Artificial After All the contract is the art and the art is the contract.
And it’s beautiful…
Han Saglam@hanrgb
On Failures I've been trying to put my mind inside the world computer for a while now. The standalone smart contracts as 1/1 artworks started in 2023. Each one a self-contained piece living directly on Ethereum. Previous collectors of mine would remember, I bought back all my 1/1 ERC-721s from them so the new works could exist on its own terms. Released 28 pieces so far, each exploring a different idea. Forms, time, movement, light. That body of work taught me two things. First, what you gain. When you strip away everything the industry has built, the token standards, the marketplaces, the metadata, the infrastructure, what's left is surprisingly powerful. A smart contract is an object that owns itself. It doesn't need permission to exist. It doesn't need a platform to be seen. It doesn't need consensus from anyone. And second, what you lose. These pieces aren't visible on main platforms. They don't show up in your wallet gallery. There's no social consensus around them. No ERC-721, no collection page. They exist, quietly, on the world computer, and you either know they're there or you don't. Some people see that as a limitation. I see it as the point. As my artistic statement. The idea for Artificial After All came from wanting to push this further. Not just a single contract as a single artwork, but a system of contracts, 256 of them, each containing a compressed neural network that computes its own image. An entire collection where every piece thinks for itself. Getting there took many failures. The first deployment, I expected 256 unique faces. Out came one. The same ghost, repeated 256 times. Months of teaching this model to see, and when it was placed inside Ethereum, it went blind. Understanding why meant starting the entire training from zero. The second time, the faces came back. All different. The euphoria lasted about an hour. Then a closer look. They were hollow. Faded. Like someone had erased the personality from each one. The compression had destroyed most of the model's memory. Three days to find the problem. The fix was one line of code. The third time, Ethereum told me the artwork was too big. 24 kilobytes, that's the limit. Roughly the size of a short email. The entire neural network, the inference engine, the marketplace, the ownership logic, everything had to fit. Weeks of cutting, compressing, rewriting. Got it down with 511 bytes to spare. There were more failures I haven't numbered. Faces with no eyes. Faces that were all eyes. Models that produced beautiful noise and nothing else. Versions that worked perfectly on my machine and produced garbage onchain. That constraint became an obsession. A single photo on your phone is a thousand times larger. And yet inside 24 kilobytes lives something that learned what a face looks like by studying many of them. Something that computes, in its own small way, every time it's called. You could argue, from an engineering standpoint, that all those platforms and standards exist for good reasons. That ERC-721 gives you visibility, that OpenSea gives you liquidity, that metadata gives you context. And you'd be right. But look where some of those platforms are now. My 1 of 1 pieces at art.han.io will continue, each one unique, each one exploring something different. Artificial After All is the first time the smart contracts became a collection rather than individual works. For now, 256 faces, computed by mathematics, living on a machine that was never designed to think. Each one artificial. The intelligence that made them, artificial. The permanence that holds them, maintained by machines. And yet they look back at you. artificial.han.io
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Working on a theory that people who get upset at other people who sell things are projecting that they’re actually mad at themselves for not having the ability to sell things because they tied their identity to said thing
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Last time I saw Bezos he was 35 years younger
CNBC@CNBC
Jeff Bezos: "If I do my job right, the value to society and civilization from my for-profit companies will be much, much larger than the good that I do with my charitable giving."
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David Hoffman’s decision to full-port his punk proceeds into zcash:native doesn’t seem that bad today
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ct has taught me in such cases to use the following terms:
underrated
slept on
insufficiently bullish
provenance
institutions coming
zoom out
will soon be unobtainable
will be in a museum
on-chain (regardless if true or not)
cco (regardless if true or not)
trad art arbitrage
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one bullish thing about <my bag> is that it has to go up another 2x before anyone cares about it / calls it consensus
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@comfydevil @DeeZe I'm gonna change my name to Steve Polyketmar.
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I love this Kalish arc
finally someone on the timeline who hates prediction markets more than I do
Matt Kalish@mattkalish
Do you have any fucking clue how much money Kalshi need normal long-term unprofitable retail gamblers like me to lose on Kalshi to PAY them enough fees to be worth $22bil valuation? Then on top, how fucking much money all of Wall Street’s MMs & Pro Gamblers export? And do it with a very bad product compared to SB on casual experience? What an absolute fucking house of cards my brothers and sisters.
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