Patrick (AKA Jackie Daytona AKA Chad Farthaus)

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"Tasteslop" (seen this word pop up a few times now) is supposed to critique decontextualized status signaling and in turn it acts as a way for the "connoisseur" to announce that they, unlike the masses with their identical kettles, possess the relationship and not merely the reference It launders "snobbery" into media theory. The person calling "tasteslop" is doing the exact thing tasteslop describes... performing depth they may or may not have, for an audience that can't verify it either way The trouble with a relational definition of taste (like "tasteslop") is that it makes the accusation unfalsifiable If the same kettle can be tasteful, vulgar, camp, or slop depending entirely on "the social route by which it arrives," then tasteslop is a property of the arrival and any one object itself... which means you cant really ever settle whether any given thing qualifies by looking at it In turn you have to know how it got to you Since you (the viewer/consumer) has no real way of knowing that, the label collapses into a vibe This then almost always resolves the same way... it's slop when they have it, and a considered choice (or real taste) when I do So if the (kettle, Tabis, Togo etc) is contaminated by popularity, the " more tasteful" move is to not have the kettle and in turn... reach for the more obscure object, the one that hasn't been "posted" yet The problem isn't the objects themselves, and it isn't even really the algorithm We've completely outsourced the relationship to these objects and kept only the reference BECAUSE the reference is the part that photographs The machine (algo) doesn't know taste... it knows the gestures that have clustered around (the idea of) taste, and we've begun optimizing for the gestures because that's what gets seen You don't fix this by avoiding the kettle. You fix it by being able to answer why the kettle?

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