Tezos

If you're attending TezDev, you can compete in TezQuest for a shot at prizes. Up to $7,000 in prizes are on the line, including: - iPad Pro - DJI Osmo - @Ledger wallets Join in on the fun and get your TezDev tickets now 🎟️ ↓ March 30 · Cannes ↓

Art on Tezos Friday Recap 🔔 → @objktcom introduces categories. Artists can now tag works (gen art, AI, photography, GIFs + more) for improved discoverability. 🏷️ → @RogerDickerman hosted THE DAM SHOW with @quayola, Steven Sacks from @bitforms, @kikanicolela, and @aljaparis, as Storms XS opens for private offers on @objktone ahead of Art Basel HK with first pieces collected by @joshuasobel, @absurdeity & @RadrTek. 🌊 → Last day to apply for the open call SERENIA, organized by @Boundless8D and curated by @CinziaGabrielPH @muriellondon @LILIDYZ @libertyvisions_ @Sashachudo @Solarchi_ & @stunnifer. Theme: calm, light, inner stillness. 🌿 → objkt announced their lineup for Art After Dark at TezDev Cannes (March 30). Part of a 360° immersive art show. Already 600+ RSVPs 👀 → Mind the Gap × Collector of the Week #37 spotlights via @artontezos_ and objkt: @JacCourtney reflects on collecting across digital and traditional art, following instinct over categories, and how collectors can help shift visibility toward women artists. 👁️ → @resatio’s Unnatural History - Batch 1 sold out. The collectors now shape what comes next, with their chosen emojis forming the next batch of specimens. 🧿🐙 → @objktcom × @SuperRare tease their collab for April in NYC. 🗽 → A rare full-set acquisition: 10 works from @kimasendorf’s Mountain Tour series moved from @RichardNadler1 to @ScrappyTea. A notable moment for the 2022 pixel-sorted edition series. 🏔️ → @mederu_art launches me:DERU — Extensible Multi-EFX Engine. A new tool with layer-based and node-based modes, offering 20+ effects for processing and transforming artworks. 🔮 → @absurdeity publishes a deep dive on “research” by @loved_orleer. A quiet drop of complex audiovisual works that reward slow, repeated viewing. 📖 → @ForgetDali shares a new thread and OBJKTOR article on Dragons by @williamapan. A deep dive into generative art through emergence, where simple rules evolve into structured, living forms shaped by iteration and discovery. 🐉🧠 → @fabriziobrarez returns with Seen by Brarez, spotlighting @Elizabedsh1. 👁️ Don’t Miss: → “Dear David: A Surveillance Love Story” solo exhibition by @madebyoona curated by @_second_guess. On View in Berlin. "Dear David, You’re Not Present With Me" release live on objkt. → @psychofuturist's Device Divine Deluxe 2.0: Angel Container. A speculative device capturing and revealing an angel’s essence. 👁️✨ → PIXELISM Issue #4 presented by @cubedekant and curated by @jemappellekant. A new wave of pixel-based practices feat. @giunft, @BreathlesssAsh, @ArPresti & @woundheir__. → Demonic Engine v1.5+++ by @demonegoo. A real-time glitch tool creating kinetic Unicode tapestries and shifting color fields, blending analog feel with digital chaos. ⚙️ → New on @dropdotart: - OMG that's me by @stipinpixel - Universal syntax // 64 Bits by @aethersovereign - ISF139 by @V4wEnko …and many more! Image: Aaefhinnorrrst A by Kim Asendorf

Uranium has all the hallmarks of a great asset class. The question is: will the factors come together? In Episode 4 of Critical Mass, I sit down with @ArthurB, Co-Founder of @tezos and the visionary behind tokenized uranium (xU3O8, @uranium_io) to discuss: ✦ Why uranium demand may not yet be fully priced in! ✦ Why uranium has the fundamentals of a compelling asset class, yet uncertainty remains ✦ How shifting generational attitudes and AI are accelerating change ✦ The importance of education in shaping markets and investor understanding This conversation sits at the intersection of technology, markets, and probability, unpacking belief, risk, and growing opportunities in the uranium market. Episode 4 is live now across YouTube, Spotify, and Apple Podcasts 👇