cliffvandercave.eth

Artbasel.eth Concept plaque for Miami Zero 10. Imagine a fair where the official identity lives on-chain. Not affiliated with Art Basel. @ArtBaselMiami @opensea @ensdomains @artblocks_io @artbasel @beeple @fellowshiptrust @grailsmarket

this is where i post from btw

Major updates today for people using the Su Squares website. We now support hardware wallets and all kinds of other new hardware and software wallets. Deployed now. Affects existing and new customers. Also affects our secret "tools" pages. Enjoy!

Farewell for now, Wizards.

@RuniverseGame it's over

An illiterate quarry worker in 10,000 BC was able to afford this house and a car with a stay at home wife and a daughter. This is what was taken from you.

amazon.eth: The One-Million-Dollar Name That Almost Rewrote Web3 History Most people think ENS names are just prettier wallet addresses. Until amazon.eth appeared in an auction. This wasn’t a random English word. It was the name of a global empire — a term that makes lawyers nervous, brands alert, and investors lean forward. The auction started quietly. The price didn’t. $10,000. $50,000. $100,000. At that point, it was obvious this wasn’t a casual bid war. This was a battle over identity, brand, and sovereignty. When the number crossed $1,000,000, spectators finally asked the right question: “Wait… this is just an .eth name?” Yes. No cash flow. No dividends. Not even officially adopted by the brand itself. But it represented something far bigger than a domain. It raised a question no one could ignore: If Web3 is the next internet, shouldn’t Web3’s “Amazon” exist first? Some believed it was a speculator gambling on brand gravity. Others thought it was quiet brand defense. A few suspected it was someone betting on a simple idea: Names come before empires. The auction never became a mainstream headline. But the number — one million dollars — burned itself into ENS history. Because for the first time, the market understood something fundamental: ENS isn’t a naming system. It’s a claim on the future layer of the internet. In the .com era, names belonged to corporations. In the .eth era, names belong first to those bold enough to believe. amazon.eth didn’t change the world. But it forced the world to look at ENS seriously — for the first time. And ever since that moment, everyone has been quietly asking themselves: “ If amazon.eth was worth a million… what names are we still sleeping on today ”? 👀

@VideoGameHstry Links Awakening

What is the best Zelda video game?

Ai has absolutely nuked reply guy culture My replies are 90% ai slop at this point Is there any real reply guys left who aren’t plugged into their Ai ghostwriter umbilical cords???? For the love of god show yourselves... I’ll follow back

@punk6529 Totally agree that open conversation helps, but I’ve found the reception really varies depending on who you’re talking to. Some circles embrace NFTs instantly, others still resist the whole digital-native shift.

so long as it is expressed as an NFT (permissionless, networked, composable), I think it is fine to talk to people about it in any way you like -> on twitter, on 6529 dot io, at Art Basel, in Marfa, in Times Square. the more talking, the better

@DagieDee @eli_schein Really well articulated. Maybe the paradox is the point. If digital art really is the movement of our time, then letting it collide with the old guard forces the conversation into the open. Basel isn’t the destination, it’s just where the tension becomes impossible to ignore.

The Art Basel Paradox Something about Art Basel Miami leaves me a bit puzzled. To be clear: I’m cheering for every artist who gets more visibility. That matters. Recognition matters. I’m genuinely happy for all of them, and a big shoutout to people like @eli_schein for making this happen. But the way many prominent influencers and collectors in this scene are celebrating Basel feels a bit odd. This whole movement was built on creating an alternative system for distributing art, one that didn’t depend on the gallery structures that define Art Basel. @beeple couldn’t really sell his work until NFTs created a path for him. Blockchain opened a peer to peer route that let artists reach the world without permission. And now many of the same people who championed that shift are celebrating the presence of the artists they collect inside one of the most traditional, gated and commercially driven art marketplaces. It’s quite a pivot. It almost feels as if the end goal was never a decentralised ecosystem, but to be embraced and financially validated by the old art market. I always thought the ambition was different: to show collectors, galleries and institutions that a new digital architecture exists. One where artists from Latin America, Africa, Asia or anywhere in the world can instantly reach a public without needing physical space. A scene growing outside the gated walls of the art world, building its own language without depending on gallery driven narratives. To be honest, I’d rather celebrate the moment when the traditional art world truly engages with what Tezos, Ethereum or Solana make possible, instead of the moment NFT art appears at the most commercially centralised fair in the world. Maybe I’m misreading it. But the tension is hard to ignore.

@leyla_solos @ArtBasel @tylerxhobbs @solos_gallery @verse_works The positive reception is amazing to see. Meanwhile a lot of the trad ecosystem is still catching up to the idea that digital practice is a legitimate artistic language, not a novelty.

Coming to @ArtBasel Miami I thought we’d get some suspicion and hesitance from the mainstream audience, but the reception to @tylerxhobbs' work has been overwhelmingly positive. Collectors are so curious about new artistic languages and what it means to work digitally today. It feels less like digital-native artists are “crossing over” and more like the art world is slowly catching up with them.

@ArtBasel The fact that a Beeple Daily is now part of the Basel visual vocabulary says everything about where the medium stands today.

Day 2, here we go!

@ReginaHarsanyi Those questions trace lineage. And the digital movement is the first major art movement where lineage isn’t the entry fee.

Today, go around Art Basel and ask present artists “What did/do your parents do?” “Who paid your tuition?” “When did you start making art?” “Who are your favorite artists?”

@LJFriarETH @ensvision @grailsmarket Everybody wants to blame "speculators", but speculation is what built the ENS market in the first place. The real mistake was abandoning the culture that made ENS desirable. Without story + identity + status, any asset collapses.

I’m sharing this because it’s in-depth and might be a form of catharsis for those at the same point of the journey. This is also the ‘rot’ felt within the community that @ensvision and @grailsmarket are arriving to hopefully deal with. At least a little bit. Having #ENS marketplaces back won’t restore us to where we were straight away but will hopefully stop the floor from falling out from under us.

@ACthecollector Crazy part is realizing that the crowd was the exhibition. Digital art didn’t just show up at Basel, but our whole culture did. And people finally felt it.

Some things I cannot get over from today’s Basel VIP day, I’m just gonna type once and rip bc I’m eager to get these memories out: Best mic drop moment for digital artists I’ve ever seen. The exhibition looked so damn good, our energy was so high it made the other half of the fair feel vapid. Perennial Basel VIP goers walked a fair booth after booth of what is honestly repetitive “trad” art and then BOOM, they’re instantly stimulated by the masterfully organized Zero to 10 exhibition. They’re hit with the largest crowd they never expected, many of which was anchored by 50-100 crypto friends rekindling, and ready to lend their knowledge to explain the works in front of them like they’re the artists. Speaking to Scott Winkelmann (@beeple bro) about how incredible it was to see all the smiling faces videotaping Regular Animals. He mentioned 50+ inquiries for buying one (they sold out before i walked in). It will be the most viral piece in all of Art Miami. Coin Laundry by @XCOPYART with incredible representation and support by @miminguyenmimi and @shape , so busy at times, it was all hands on deck from @bonafidehan @pravijn and anyone who knew what was going on to onboard attendees with their soap. Sergey Brin was there and seen admiring @dmitricherniak’s Floor Ringer, the booth looked stunning huge congrats @Vince_Van_Dough @anikojay and all who repped. @ArtOnBlockchain and @jeffgdavis smiling ear to ear, happy to be recounting the story of Art Blocks with a passion no other gallerist has had before. Snowfro, the apex collector turned innovator in the space coming full circle to showcasing and selling AB minted Quines by @larvalabs . @CaballeroAnaMa reciting her beautiful and poem in front of 100s of fully engaged listeners, a wonderfully intimate break during the day. The amount of questions and genuine interest I felt from bankers and their groups of clients awing at the method and output @tylerxhobbs works, and seeing @leyla_solos team handle the interest with the perfect tact. @sofiagarcia_io @micolmicolmicol @fellowship working a central pillar of the fair, selling all the @ix_shells works on display, one of my favorite place to watch reactions from throughout the day. @jackbutcher crushing it as the labeled “manager” and helped his guests Self Checkout and unknowingly mint their first NFTs. The most engaging of conceptual art many ppl can microbuy ($1, can do online too) @mpkoz giving the most intricate and interesting of details on the masterful work he produced with @heft_gallery @eli_schein and @redbeardnft with such hospitable charm working the entire exhibition floor. Making intros and giving full context tours. Truly amazing work my bros, I’m so happy to see the 10/10 execution. I’ll look to end by saying i don’t care what the culturally deficient say about us, digital art is the artistic movement of our time. I just witnessed the “cool”, elite crowd of society come into our corner of the Art Basel fair and smile with intrigue as they realized why our generation is not going to be buying $60m Rothkos. Our internet native generation deserves this movement. It’s uniquely ours and it’s real as fuck, in the deepest of bears. It wasn’t passed onto us as inheritance, it grew from twitter telegram and discord. It is extreme ownership of what is truly ours, and these Basel VIPs don’t even know (yet) how based it feels to enjoy the true sovereignty of this movement. I didn’t plan to go every day, but now i feel a sense of pride i want to enjoy more days of the week so i will happily be there daily. I need to get my time with @yatreda @mayaonthenet @joepease !! This was a perfect exhibition in my book. 🫡🫡

@mendezmendez As the term ‘digital art’ expands, what do you feel we’re actually building-new narratives, or just new wrappers for old ones?

proud to be part of the digital art movement today

@phantom_scribbs You mention it the way a museum curator mentions a medium: only after the viewer already cares. Let them see the art, then reveal the plumbing.

For those at Art Basel Miami, if you happen to have a conversation with a normal human about some of the art on display at Zero 10, do you mention the dirty word NFTs? Or is that a special surprise kept for later?

@multivrsstudios @ArtBasel @eli_schein Exactly. Digital art needs interpreters as much as innovators. Basel brings the audience, but it’s the collectors, curators, and educators who make it legible. We’re past shouting ‘look at my NFT’—this cycle is about digital identity and provenance.

I can only imagine how refreshing it would be to have passionate digital/crypto art collectors in the audience at @ArtBasel explaining and guiding the unknowing fresh audiences to the world and imagination of our space. No matter how absolutely banger @eli_schein has set this up - which it sure as heck looks he has done - it is who we are as a community that will make folks embrace the space. We are all teachers now. Let’s go teach.

Wild to watch the terminology shift from “NFTs” to “digital art” this week. Same tech. Same provenance. Same artists. Just fewer blockchain words because institutions want to onboard old money without the crypto baggage. Culture remembers who built the movement.

@787FKA the art world doing art world things

Zero 10: zero new names and ten 21' - 22' millionaires.