Rossa774

👇🏿👇🏿👇🏿👇🏿👇🏿👇🏿👇🏿👇🏿👇🏿👇🏿👇🏿 👉🏿👇🏾👇🏾👇🏾👇🏾👇🏾👇🏾👇🏾👇🏾👇🏾👈🏿 👉🏿👉🏾👇🏽👇🏽👇🏽👇🏽👇🏽👇🏽👇🏽👈🏾👈🏿 👉🏿👉🏾👉🏽👇🏼👇🏼👇🏼👇🏼👇🏼👈🏽👈🏾👈🏿 👉🏿👉🏾👉🏽👉🏼👇🏻👇🏻👇🏻👈🏼👈🏽👈🏾👈🏿 👉🏿👉🏾👉🏽👉🏼#TEZOS👈🏼👈🏽👈🏾👈🏿 👉🏿👉🏾👉🏽👉🏼👆🏻👆🏻👆🏻👈🏼👈🏽👈🏾👈🏿 👉🏿👉🏾👉🏽👆🏼👆🏼👆🏼👆🏼👆🏼👈🏽👈🏾👈🏿 👉🏿👉🏾👆🏽👆🏽👆🏽👆🏽👆🏽👆🏽👆🏽👈🏾👈🏿 👉🏿👆🏾👆🏾👆🏾👆🏾👆🏾👆🏾👆🏾👆🏾👆🏾👈🏿 $XTZ is THE PEOPLE'S COIN. It's for everyone. #Crypto

hot take: your floor 60+ team has at least one orbo you should've swapped out 20 floors ago. prove me wrong. drop your lineup in the comments 👇

Square Enix is now running a baker on Tezos. That means one of the biggest names in gaming is directly helping validate transactions and secure the network. For context, @tezos uses a Proof of Stake system where “bakers” are the validators powering decentralization, not energy-heavy miners. So this isn’t just a partnership. It’s a gaming giant actively participating in how the chain runs. As more gaming companies step in at the infrastructure level, it shows where things are heading. Not just building games on blockchain… But helping run the networks behind them.

This week on TezTalks Radio, we sit down with Chief Baker from the Tezos Foundation, @chrispinnock. Chris shares what the job actually looks like from a security and infrastructure perspective. Full Episode is now streaming X.

"Tezto: Easily find, edit, caption, and share digital art on Tezos to social media" by @FromFriends__ The #Tezos Ecosystem DAO has a new proposal ready to be voted on, which will use the tez-based voting feature on Tezos Homebase. A 70% supermajority or higher at the end of the vote will be considered approved. Get your votes in now! Discuss: forum.tezosagora.org/t/tezto-easily… Vote: tezos-homebase.io/explorer/lite/…

Tokenized RWAs are ___ We’ll go first: Transformative.

Meet the @Sogni_Protocol team at the TezDev XP Zone. Step into their AI studio and transform your photo into a unique AI-generated PFP that you can print and take home with you. ↓ March 30 · Cannes ↓

AI is forcing the world to rethink energy, with hyperscale data centers requiring massive amounts of stable power. This points to one thing: nuclear energy, powered by uranium. Uranium continues to fuel the future of AI power demand, and for the first time, tapping into uranium’s growth potential is possible with as little as $5.

📣 Etherlink 6.2 has been proposed. A kernel upgrade addressing recently identified vulnerabilities is now in a fast governance vote. No user funds are at risk, and no exploit attempts have been observed. 📍 Proposal period: Fast Governance Period 1026 From L1 level #12,461,089 (March 23, 12:26 UTC) to L1 level #12,464,688 Bakers: Please check participation instructions below ⬇️

Tokenized uranium was just the beginning. More details soon 💚

@Rossa774 I thought it was the name for a condition where you sneeze too often.

Ushuaia is considered the only trans-Andean city in Argentina. Ushuaia has long been described as the southernmost city in the world. #Tezos' 21st Upgrade has been named #Ushuaia .. #Blockchain #Technology #Crypto #XTZ #LFG 🚀 🚀 🚀 🚀 🚀 🚀 🌚

On the TezDev 2026 agenda: "Stop pedaling: First principles for spec-driven agentic development" by @yurug of @LabosNomades Nomadic Labs' Head of Core Engineering Yann Régis-Gianas explores how AI agents are reshaping software development and what AI-assisted engineering could look like in practice. ↓ March 30 · Cannes ↓

✦ objkt weekly recap — highlights from our platform & beyond ✦ ✧ Trending • @ScrappyTea acquired @KimAsendorf's complete Mountain collection — 10 pieces totaling 20,350 ꜩ. • David Young’s Can they Suffer? exhibition, curated by @_second_guess, has moved 9,900 ꜩ in volume. • Research, a new collection by Frank Manzano @loved_orleer, moved 3,320 ꜩ. • Musics, by @Yuri_jjjj, has moved 1,150 ꜩ so far — only 4 pieces remaining. • Among this week’s top creators: cedar plank @hasdrubalwaffle — 3,700 ꜩ; @lm_netwebs — 4,321.77 ꜩ; @laturboavedon — 3,000 ꜩ; @demonegoo — 2,250 ꜩ. ✧ Exhibitions • @_second_guess presents @madebyoona’s new solo exhibition, Dear David: A Surveillance Love Story, in Berlin. Online, Dear David, You’re Not Present With Me is live on objkt, moving a total volume of 9,400 ꜩ so far. Works collected by @Louis___M, @chinask1976, @lm_netwebs, @ArtMonochrome2, @yangwong, among others. • Don’t miss ▒▒▒dreamRAM▒▒▒::newfangled verses, a group exhibition featuring GLB sculptures curated by @mownamuseum. ✧ objkt ecosystem • On objkt, artists can now categorize their work, improving discoverability and navigation for collectors. • Announced an upcoming exhibition at TezDev Cannes (30 March), featuring 12 artists from @objktone + @objktlabs in a 360° projection screening. • OBJKTOR: don’t miss the interview with @Quayola, written by @raquelgaudard, published ahead of his exhibition at Art Basel Hong Kong next week. Also, a write-up by @ForgetDali on @williamapan’s Dragons collection. • The DAM Show by @RogerDickerman featured @Quayola in conversation with curator Steve Sacks (@bitforms gallery), @aljaparis (@artontezos_), and @KikaNicolela (@objktone). • Three pieces from Storms XS by @Quayola are already in the collections of @absurdeity, @joshuasobel, and @RadrTek. Presales are ongoing — info via @KikaNicolela. • A collaboration between objkt and @SuperRare was teased — something IRL is cooking by both teams in NYC this spring. Stay tuned. ✧ Community • @artcommissiontz open call — deadline on Sunday, 22 March. Curated by @328_lad and @spike_0124, with special guests @cinziagabrielPH and @fabriziobrarez. • Don’t forget to check the featured community curations on the homepage, curated by @davebachinsky , @csm_creative, and @afrnsude. • New collective drop by @cinziagabrielPH — No Filter, moving 560 ꜩ so far. • PIXELISM Issue #4, presented by @cubedekant, featuring works by @giunft, @BreathlesssAsh, @ArPresti, and @woundheir__. Don’t miss it. More to come. Stay tuned. 👀📡 ▼ Storms, by Quayola: Behind the Scenes.

Why Tezos is not above $20-$50 it’s insane ! Such an awesome blockchain! Stable & innovative. No drama, just delivering! Time will come. 🔥🔥🔥🚀🚀 Tezos

We’re entering the next phase of the @etherlink markets wind-down. Markets will be frozen on March 24 (no new deposits/borrowing). Withdrawals & repayments remain available. More details below 🧵↓

This is an appreciation post for @objktcom. They are a small team doing a job that most people underestimate. Day in, day out, showing up for artists, collectors, curators, trying to keep something alive that is bigger than any single person involved. And they do it in a market that has been anything but easy. You can feel that they care, the willingness to listen, even when the feedback is harsh or unfair. They haven’t taken shortcuts that would have been easier or more profitable in the short term. They never sold out. And at the same time, they are a business. Not a non profit. They have to survive, pay people, make decisions that keep the platform running. And still they choose to put in all this extra work for the community, for artists, for the space as a whole. That balance is not easy and the work under appreciated. They are holding together big parts of this ecosystem that gave thousands of artists a place to start, to experiment, to be seen without needing permission or big budgets. A place where collectors could discover work early, support directly, and build real relationships. I saw some criticism coming up lately and I feel it comes from frustration. And frustration is understandable. Everyone wants more visibility, more support, more recognition. But it often gets projected onto the very people who are already doing the work. Calling it gatekeeping is easier than looking at the full picture. There are real constraints like limited time and resources and tough decisions that have to balance fairness, sustainability, and growth. You can’t please everyone at the same time, especially in a space where expectations are high and attention is scarce. And still, they keep trying to include the community. They open up conversations. They test new features. They give space to different kinds of work. They don’t just build for the top of the market. They keep the door open for those who are still finding their way. That’s not something to take for granted. Negativity comes from a place of personal expectation. People want to be seen, supported, pushed forward. But it can turn into entitlement without noticing. Into the idea that if something doesn’t benefit you directly, it must be broken. That mindset misses what’s actually being built here. objkt has never been about serving a few. It has always tried to serve many. Keeping things open while still maintaining quality. Supporting growth without losing direction. Surviving without selling out. Some people act like they know it all. This is hard. Platforms are closing left and right. objkt is still here, doing the work. My deepest admiration👏

Uranium now sits at the intersection of three global trends: 👉 AI power demand 👉 Energy security 👉 Nuclear power expansion The world is beginning to recognize that uranium is no longer optional. It’s critical to powering the future.

On the TezDev 2026 agenda: "Native atomic composability" by @Saroupille of @LabosNomades Nomadic Labs' François Thiré explores how Tezos X enables contracts across runtimes like EVM and Michelson to call each other in a single atomic transaction — with no bridges, wrapped tokens, or risk of partial failure. ↓ March 30 · Cannes ↓

🚨 REGULATORS JUST BENT THE KNEE $XTZ is now officially a DIGITAL COMMODITY according to SEC & CFTC. Tezos didn't beg for permission — it earned it through years of clean self-amending governance. Energy efficient. Institution ready. Built different. TezDev 2026 in Cannes is about to show the world what's coming next. Texas Tezos 🏴‍☠️ reporting in — the fleet is strong. You in or you out? Drop the pirate flag below 👇 #Tezos #XTZ #TezDev2026 #CryptoTexas #TezosTX

✦ Have you checked our front page? ✦ Today’s community curations, selected from your suggestions (tough call!): Generative Art — curated by @davebachinsky Art I Get, Art I Want — curated by @afrnsude A Collective Story — curated by @csm_creative don’t miss them ঌ

Meet @artontezos_ at the TezDev XP Zone. Discover artists and platforms, followed by a 360° immersive art experience. ↓ March 30 · Cannes ↓