Russell Walter

You may not be aware, but not only has Australia de-industrialised, offshored its material industries, it also seems to have offshored its best new writing. This is something of a function of the internet (potential readers no longer confined within national borders), but the most important writers in this country are either a) not published by local publishers (either self-pubbed or overseas presses) or b) published by presses here but all the buzz generated, audiences garnered and critical praise rendered occurs beyond these shores. Every smart, engaging Australian writer doesn’t put too much stock in the industry here. And it’s got nothing to do with “muh dum Trent Dalton audience” and everything to do with the degeneration of taste among our cultural gatekeepers, the majority of which, I’m sorry to say, are glorified HR ladies, mumming at being well-read, erudite citizens. This is happening elsewhere, of course, but here it takes on an especially egregious form. I’ve spoken about this before briefly (on @bradkelly's pod, on my own pod, and in an upcoming roundtable hosted by @RussellWalterrr alongside Lewis Woolston, Jack Norman, Ivan Niccolai, Liam Blackford & @JustinIsis1) but perhaps I will elaborate one day…with receipts.

sun anglos are the superior race

@hoodoussman @jordanhknight_ @Jordanwabouzeid Thanks for the kind words fellas

@jordanhknight_ @Jordanwabouzeid @RussellWalterrr Walt Bismarck guest episodes are very fun. His older YouTube videos also capture and distill many of the ideas and influences on the sphere in an interesting, easy to understand way.

Great time to buy Jordan Peterson stocks. At an all time low but due for a cultural resurgence in a year or so.

an edit of BAP on "growing up"

@Onzzeeee This is sick

Ralph Lauren Nationalism

@minordissent @dnfiofkdn Yeeeeep

@dnfiofkdn @RussellWalterrr

Very few know about it

Very good, funny and insightful article on Soyllennial downward mobility. Also inspiring, if you understand his argument

Nick Land vs. Curtis Yarvin is the Super Bowl for people who spend eight hours a day on X dot com

Erika Kirk coming out for the Turning Point "alternative Super Bowl halftime show"

The most Looney Tunes/Tom & Jerry type of shit I’ve seen in a long time. The chair throw, the facepalm and then the bouncer pishing himself laughing. Absolute cinema

How it felt to buy an avocado in the mid 2010s

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But wait! That's just the top 10. We did a full Top 40 list over at our SS newsletter, and it includes links to all of the above essays as well. newrightpoast.substack.com/p/the-40-based… Every week, the NRP reviews dozens of longform essays coming out of the New Right scene and highlights the top 10. That’s more than 500 pieces, all excellent. This is the cream of the crop. Some of these pieces are heavily researched works of journalism. Some are gonzo explorations of a scene, others are ideological rants. All are worth your time. Featuring the sharpest wits and most penetrating minds in and around the New Right sphere. Like: @micsolana @SkilosRising @herandrews @RussellWalterrr @arctotherium42 @providenceluvr @stevenfhayward @WokeCapital @BackTheBunny @mattforney @ExLibrisCelaeno @MorgothsReview @olivertraldi @sailpgd @MillennialWoes @OldGloryClub @bronzeagemantis @PimlicoJournal @_jburden @copernican1880 @MrAlanSchmidt @eugyppius1 @tr_hudson @martianwyrdlord @FOMO_sacer @robkhenderson @russgreene @GreenPlusAnE @scottyenor @brianeha @AporiaMagazine @NewAtlantisSun @neolibfeudalism @WilliamVoegeli @ScottMGreer @MysteryGrove @realErikDPrince @im_1776 @natashaburge_ @giantgio @curtis_yarvin @0xAlaric @megha_lilly

@Hexagram012 @NewRightPoast My point wasn’t ‘they’re so brutal, just like the Nazis’ (the title is just a funny pun). I more wanted to point out how the founding father of Israel was a Germanophile. Also, I think this word slop is starting to be overused. Maybe it’s sensationalist, but it’s not slop.

This by @RussellWalterrr promoted by @NewRightPoast is such slop. 20% of Israel's population are Arab with full equality. And even in the 1948 war (launched by the Arabs to destroy the emergent Jewish state after the Arabs had twice rejected partition), atrocities by Jews were relatively infrequent by Western standards of war, as historian Benny Morris shows. There's nothing 'fascist' or 'Nazi' about Israel or its founding. In fact, Israel is objectively moderate and restrained by Western standards (see the Iraq invasion or the Mosul or Raqqa campaigns fought by the US-led coalition thousands of miles way, let alone WWII). If say Britain were subjected to tens of thousands of rocket attacks, thousands of suicide bombs, mass shootings, stabbings, incendiary and IED attacks, vehicular assaults and kidnappings, by a terror regime on its doorstep, while surrounded by other enemies also openly committed to their literal extermination (like, they have the Protocols of the Elders of Britain in their fundamental Charter...) and to whom Britain had offered a generous state on multiple occasions which they rejected each time (because they don't want a state, they just want to eliminate the Brits), there would be mayhem. And there was nothing 'Nazi-like' or 'antisemitic' about Zionism. You can cherry-pick as many quotes as you like. The mainstream Yishuv itself leaned left. And the idea of transfer (let alone expulsions) was never adopted by the Zionist movement platform or any of the main Zionist parties (despite Arab aggression against the Jews, especially from 1929). russellwalter.substack.com/p/ashkenazi-na…

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“Old Money favors signals with high symbolic complexity. These are possessions, tastes, and behaviors that only those with high cultural capital can decode. This ensures that their status is legible to insiders, while remaining invisible, or even meaningless, to outsiders. The most vulgar form of conspicuous consumption comes from the YRN, but conspicuous consumption is a characteristic feature of the nouveau riche in general. Lacking cultural, social and educational capital, they default to the most legible form of status signaling. Old money finds this sort of status signalling distasteful, even desperate. A core tenet of Old Money’s signaling strategy is subtlety, meaning their status claims should never appear to be status claims. Instead of buying the largest and latest luxury items, they favor understated, antiquated, and patinated possessions… Such restraint baffles the lower classes, who consider sports cars the ultimate status symbol. To them, Andrew Tate’s Bugatti is the ultimate flex. But to the upper-upper, a Bugatti betrays the fact that he’s from a council estate in Luton. Someone raised in the Cotswolds or Martha’s Vineyard has no need for such overt status signaling, because they can signal status through their etiquette, deportment, gesture, intonation, dialect, vocabulary, and even small bodily movements. Like Odysseus, whose nobility was evident even when shipwrecked and naked, true elites embody their status rather than display it. In short, the upper-upper favour inconspicuous rather than conspicuous consumption. They practice deliberate restraint, choosing items that whisper rather than shout wealth. Their houses are hidden behind large hedges, and their clothing bears no visible logos or branding. This ‘quiet luxury’ countersignals the nouveau riche, who engage in money-drenched boasting.” -@RussellWalterrr